The Aliens vs. Predator story is most impressive for Norwood’s illustration… but not of aliens or Predators. The story opens on some alien world and it’s just breathtaking. Once the actual story starts (Stradley’s two conversationalists talking about hunting experiences while Predators hunt aliens), it can’t compete with those visuals. Still, for what amounts to shameless self-promotion, these prologues are very successful.
Davis’s Delia & Celia features a number of young women “playing” the two leads. Davis can’t maintain faces for them to the point he must have been photo-referencing. Each panel, they get a new, distinct face. The writing is nearly interesting this time… but Davis fumbles it.
This installment of Heartbreakers kind of makes the clone thing clear–there’s two groups of clones, one tough, one not as tough. But it’s not clear if they’re clones of the same person (just with different haircuts). It’s inoffensively mediocre.
Aliens vs. Predator; story by Randy Stradley; pencils by Phill Norwood; inks by Karl Story; lettering by Pat Brosseau. Heartbreakers, Ceiling Zero; story by Anina Bennett and Paul Guinan; art by Guinan; lettering by Willie Schubert. Delia & Celia, The Great Marsh; story, art and lettering by Gary Davis. Edited by Randy Stradley.