Now, I think Moore said in an interview he did this comic to pay for some back taxes. It shows, but it’s Alan Moore writing a comic for a paycheck so it still has a good level of competency… if not imagination.
About a quarter of the issue—which is mostly dialogue, as I guess Moore didn’t want to think too hard—recaps The Courtyard. Coming seven years later, I guess it’s good Avatar reprints it all the time because it’s a direct sequel. The settings are mostly the same, the cast returns.
Moore has time for some mildly gross humor. Some of that humor succeeds and some doesn’t. He’s not really trying so Neonomicon reads a little like I imagine first draft Moore reads. Or the notes he jots on napkins.
Burrows’s art has some problems and the coloring is awful.
But it’s Moore doing Lovecraft exploitation; it’s interesting.
At the Mansions of Madness; writer, Alan Moore; artist, Jacen Burrows; colorist, Juanmar; editor, William Christensen; publisher, Avatar Press.