Miller’s first issue as a writer, not to mention the first appearance of Elektra, is nearly an abject misfire. Miller’s handle on Matt Murdock’s history is shaky. He’s retroactively introducing this all important new character, but his backstory for Matt’s awful.
Matt and Foggy are in college. Matt’s never used his powers, except to help the clumsy Foggy, but he’s had them for four years. He’s also a nitwit. When college Matt meets college Elektra, he thinks she rejects him because he’s blind… not because she’s got a bodyguard who makes it impossible for her to have a social life (something Miller never resolves). It’s bad writing.
Matt spends the issue reminiscing, then there’s a big fight scene at the end (against some exceptionally lame villains) and Miller redeems himself. Maybe unintentionally.
Elektra’s bewildered to discover Matt’s new identity. The moment’s devastating; it makes up for all the previous nonsense.
Elektra; writer, Frank Miller; pencillers, Miller and Klaus Janson; inker, Janson; colorist, Dr. Martin; letterer, Joe Rosen; editor, Denny O’Neil; publisher, Marvel Comics.