In its final arc, Scalped feels like a sequel done by adoring fans rather than the original writer. Maybe Aaron’s writing needs to be read on a monthly schedule, not accelerated enough to know when and where he’s pulling a fast one. In other words, Scalped works as a periodical, not a trade.
There’s some good stuff this issue with Lincoln and Falls Down. The stuff with Catcher turning into an inhuman killing machine? Really dumb. If he turns out to be an alien or a cyborg from the future in the end, it’d probably work better.
As for Dash–or Dash 2.0? Aaron doesn’t seem to understand noir, which has been one of Scalped‘s problems all along, but he also doesn’t seem to understand point of view. Dash’s internal monologue is nowhere near as impressive as visually well conveyed actions, which Guera provides.
Aaron’s writing just mucks them up.
Trail’s End, Part Two; writer, Jason Aaron; artist, R.M. Guera; colorist, Giulia Brusco; letterer, Sal Cipriano; editors, Mark Doyle and Will Dennis; publisher, Vertigo.