Popeye 5 (September 2012)

893012

It’s a parenting issue.

There are two stories concerning Popeye’s parenting abilities.

The first is a babysitting adventure. Swee’Pea goes missing, ending up on the wrong side of town and joining a gang. Swee’Pea, it turns out, is really good at knocking the fleas off dogs. While Ozella does a fine job with the art, the story’s strength comes from Langridge’s concentration on making the tale make sense in the comic strip mentality. He never encourages–or lets–one think too hard about it. To do so would be to miss the point.

He also doesn’t have a lot of supporting cast cluttering. In the second story, he does. Popeye’s drawing Swee’Pea a comic strip and the supporting cast stops by to help. That usage works though–they aren’t cluttering, but literally helping.

It’s a deceptively complicated issue, especially the comic strip in the second story. Langridge and Ozella excel.

CREDITS

The Wrong Side of the Tracks; inker and letterer, Bruce Ozella. The Adventures of Pete and Patsy; inker, Vince Musacchia; letterers, Ozella and Musacchia. Writer, Roger Langridge; penciller, Ozella; colorist, Luke McDonnell; editors, Ted Adams, Craig Yoe and Clizia Gussoni; publisher, IDW Publishing.

Battlefields 2 (December 2012)

Prv14497 cov

Stiles and his sidekick spend the issue away from the rest of the crew, observing a famous historical battle. They participate, but Ennis mostly just uses Stiles to explain what’s going on. He does it in such a way, of course, it never feels like exposition.

It should though–I mean, Stiles’s sidekick is a generic new recruit, the perfect person to be getting the exposition. Maybe the horrific conditions makes it seem less obvious, but it really didn’t occur to me how obvious it could have been until after finishing the issue. During, one can’t concentrate on anything but what he or she is reading.

The art is still loose, but there are some amazing panels in here. Particularly the phosphorous sequence.

Ennis outdoes himself. Battlefields becomes an educational docudrama and Ennis never draws attention to that value of it. He maintains the dramatic tension throughout, especially the finish.

CREDITS

The Green Fields Beyond, Part 2: God for Harry, England and Saint George; writer, Garth Ennis; penciller, Carlos Ezquerra; inker, Hector Ezquerra; colorist, Tony Aviña; letterer, Simon Bowland; editor, Joseph Rybandt; publisher, Dynamite Entertainment.

Before Watchmen: Silk Spectre 3 (November 2012)

875223

The mystery of the smiley face button is solved! Finally, now everyone can sleep at night. The addition of said button does make one wonder if Cooke’s flipping off Moore a little (as the button is what started Moore’s disputes with DC).

This issue features a lot of things Cooke and Conner should have covered in the previous one, with Sally worrying about her kid instead of just ignoring it (from the reader’s point of view). The ending isn’t great, but it’s whole.

It’s a bridging issue without any memorable scenes. Even Laurie tripping on bad acid turns out to be a red herring.

The comic’s not bad, however. Conner’s art is still a nice mix of straightforward and sixties–not quite indie, but definitely not mainstream vanilla–and the scenes are well-written.

Laurie just isn’t enough of a character this issue.

The crappy backup has a terrible cliffhanger.

C 

CREDITS

No Illusion; writers, Darwyn Cooke and Amanda Conner; artist, Conner; colorist, Paul Mounts; letterer, Carlos M. Mangual. The Curse of the Crimson Corsair, The Evil That Men Do, Part Four; writer, artist and colorist, John Higgins; letterer, Sal Cipriano. Editors, Chris Conroy, Camilla Zhang and Mark Chiarello; publisher, DC Comics.

Swamp Thing 101 (November 1990)

16071 1

Andy Helfer pops in for a nice little issue. Amazing how he’s never written the book before–or worked on it in any capacity (as far as I remember)–yet he does a pitch perfect story juxtaposing Tefé’s spirit form running away and a local woman’s family problems. Helfer even writes Abby well.

Anyway, the issue also has Mike Hoffman on pencils. It’s hard to say how he’ll do on the comic–I think he’s the new penciller–since Alec doesn’t appear in the issue, but he does a great job with the people. This issue is all people, including some complicated scenes like kids playing on a playground. Hoffman infuses that scene with excitement and intrigue, even though it’s mundane.

The issue’s only problem isn’t Helfer’s fault. The Shaman character ludicrously doesn’t have a proper name. Just Shaman. One expects more from Swamp Thing.

It’s a touching, haunting issue.

CREDITS

Keepsakes; writer, Andy Helfer; penciller, Mike Hoffman; inker, Alfredo Alcala; colorist, Tatjana Wood; letterer, John Costanza; editors, Karen Berger and Stuart Moore; publisher, DC Comics.

Website Powered by WordPress.com.

Up ↑

%d bloggers like this: