The Maze Agency 16 (October 1990)

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Mary Mitchell is an odd choice for the comic. If her lines were messier, it might work better but she has a very cartoony, clean style. All of a sudden The Maze Agency looks like a reductionist Disney cartoon.

It’s occasionally interesting looking, but would work better for a backup story not a feature. Especially since Mitchell doesn’t handle certain standard things–shoes, for instance–well at all.

The mystery once again gives Gabe and Jennifer some tension in their dating life. They’ve both sold true crime books, but she’s sold hers to a big publisher, him to a not big publisher. Barr enjoys writing about their relationship problems, but there’s always something missing. It’s like he doesn’t imagine them having a life when they aren’t in the comic… They don’t have any texture.

So, in short, it’s an odd looking comic with some problems. The supporting cast really shines.

CREDITS

Fires of Love; writer, Mike W. Barr; penciller, Mary Mitchell; inkers, Don Martinec and Paul Worley; colorist, Susan Glod; letterer, Vickie Williams; editor, David Campiti; publisher, Innovation Publishing.

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