Oh, the two lead girls–and the sidekick doesn’t die yet, Brooks is holding off on it–are East Asian. It wasn’t clear last issue. I guess Caceres’s art failings do have more repercussions than I thought.
This issue is entirely in summary. It reads really fast, Brooks narrating from his female protagonist’s perspective. He opens with this inane contradiction about how the rise of the middle class and technology has made it harder for a vampire to hunt because people’s absences go noticed easier. My first thought was all the poor people in the world… then he actually double backs and makes the same comment–it’s actually okay because of the poor people. So why bring up the middle class?
Some of the book just seems like moments for zombie art from Caceres. It’s intricate and big but pointless in terms of narrative.
The Parade isn’t going anywhere yet.
Writer, Max Brooks; artist, Raulo Caceres; colorist, Digikore Studios; letterer, Kurt Hathaway; editors, Jim Kuhoric and William A. Christensen; publisher, Avatar Press.