Really, the art’s Alan Davis? Mostly, I mean–John Ridgeway’s back to finish the flashback story–but Davis does the art on most of the issue. And it’s not good. It’s really rushed, really loose with detail. There’s definitely some decent composition, but I just thought whoever came on the art had good composition and not good detail ability.
The story mostly concerns Gargunza revealing Miracleman’s past to Liz. It’s during these parts Davis fails the script the most–Moore clearly wants Liz to have gravitas (even when she doesn’t have any real lines), but Davis doesn’t sell it. It’s too bad.
The writing gets it through. Moore’s a lot more successful with the Gargunza and Liz scenes than with Evelyn Cream. Cream’s supposed to offer a human take on Miracleman (who doesn’t do anything this issue) but Moore’s trying too hard.
It’s a bridging issue. The awesome’s just subdued.
The Approaching Light; writer, Alan Moore; artists, Alan Davis and John Ridgway; colorist, Ron Courtney; letterer, G. George; editors, Dez Skinn and Cartherine Yronwode; publisher, Eclipse.