What’s incredible–and possibly singular–about how Moore approaches Miracleman is his distance. There are moments this issue where another writer might wink at superhero comics. Moore doesn’t. Even in those moments, he’s only writing this one. More so, he’s only writing this moment, even though it’s technically a flashback.
London is destroyed, decimated. There is no happiness. Moore pulls Miracleman away from humanity even more; tellingly, Totleben doesn’t do any of his “beauty of Miracleman” panels. The visual poetry is violence and blood. Even in the small panels.
Moore caps it off with Miracleman’s final shedding of his human self, possibly through the most humane act possible. It’s so sad it makes one despondent. Not the act or event itself, but how Moore and Totleben tell it.
I think there are slow parts to the issue. Maybe too much time spent on filler. But it doesn’t matter… it’s amazing.
Olympus, Chapter Five: Nemesis; writer, Alan Moore; artist, John Totleben; colorist, Sam Parsons; letterer, Wayne Truman; editor, Letitia Glozer; publisher, Eclipse.