With a very strange sense of humor, you could call the first issue of Stray Bullets a comedy of errors. Two guys working for a crime boss (it’s never too clear, which is nice) have a simple task. They have to dispose of a body. Unfortunately, they have a flat.
Then it turns out one of the guys isn’t all there, mentally. David Lapham takes the story from bad to worse, dragging the reader not just into the world view of the mentally disabled guy, but into the distorted world view of his partner. And once Lapham has the reader in that mindset, he doesn’t let up until the end. He controls the reader through a lengthy, packed story–lots of panels on lots of pages.
The ending’s a bit of a letdown as Lapham lets everyone breath. It’s like he pauses to admire his craftsmanship a little much.
The Look of Love; writer, artist, and letterer, David Lapham; editor, Deborah Purcell; publisher, El Capitán Books.
Now i could be insane, but didnt the end of the “new” issue one segway directly into this first issue, time and character wise? I was thinking of what Tarrantino did in pulp fiction, and here Lapham also does?
No, it’s a couple different guys. But the bouncer does show up in the second and third issues…