Maybe, instead of actually putting the money into publishing this issue, Lapham should have sat down and thought about a different one. A non-imaginary one. Because an imaginary story breaks the series. It means Lapham doesn’t have to play fair–and he doesn’t here. (I’m not talking about Amy Racecar, which has a context).
This issue takes a character and breaks him into pieces. Lapham props up the villain of the story and twists him into a hero. It’s all a big joke and it’s a complete waste of the reader’s time. It’s predictable, manipulative and unimaginative. It also shows how Lapham has established the series as one where the fantastic seems possible, which isn’t necessarily a good thing.
It makes him an untrustworthy writer, especially given it’s a periodical.
The rushed art doesn’t do the issue any favors either.
I’m shocked at the poor quality of this one.
Little Love Tragedy; writer, artist, and letterer, David Lapham; editor, Deborah Dragovic; publisher, El Capitán Books.