What’s strange about the feature is how much better Bates writes Elongated Man and Sue Dibney than he does Barry and the Flash. There’s a lot of charm to his characterizations of the Dibneys and it breathes a lot of life into the story.
Of course, the story also has Carmine Infantino artwork and every page has one or two phenomenal panels; Infantino is able to turn anything the Flash does into a moment of comic gold, whether it’s a fight scene or just a costume change. It’s not just how much movement Infantino implies, it’s how he composes each panel to have a narrative flow to it.
It also doesn’t hurt the story’s a genuine surprise with a great reveal.
The Firestorm backup has Conway trying too hard to make the protagonist likable, but some ambitious artwork from Starlin. Rather unfortunately, the detail doesn’t live up to the composition.
The Man Who Was Cursed to the Bone!; writer, Cary Bates; penciller, Carmine Infantino; inker, Bob Smith; colorist, Gene D’Angelo. Firestorm, Rain, Rain, Go Away… Come to Kill Us Another Day!; writer, Gerry Conway; penciller, Jim Starlin; inker, Bob Wiacek; colorist, Jerry Serpe. Letterer, John Costanza; editor, Len Wein; publisher, DC Comics.
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