I’m really hoping Earl isn’t leaving voicemails for his dead wife. I’m sort of hoping he’s leaving them for his dude. If Earl were an old gay guy who kicks ass, it might give Southern Bastards an edge. The series already has an edge, but it’s a predictable edge. I think I said it before–Bastards is prime option material for any actor from the Expendables series.
But it’s also got Latour and he’s bringing enough edge to make up for the rest. The comic is visually unexpected, between Latour’s composition choices and just the way he paces out action scenes. It’s a delight to read. It’s just not a delight to dwell on.
Aaron goes for the cheapest cliffhanger he can–young ally in trouble–and one has to wonder if the comic wouldn’t have read better longer, so the cliffhangers could be less forced.
Still, Latour covers it.
Here Was a Man, Part Three; writer, Jason Aaron; artist and colorist, Jason Latour; letterer, Jared K. Fletcher; editor, Sebastian Girner; publisher, Image Comics.