The second issue of Wildfire ties back to the beginning of the first issue–Los Angeles aflame. This issue explains more about how it happens, with Hawkins even taking the time to cut to the fire starting. He doesn’t really need to make the cut–he spends the rest of the issue establishing the characters, including newscasters who could cover it.
And everyone sees the fire pretty quick, it does spread like, well, wildfire.
Hawkins’s ability to get all the science while still moving his characters forward, not to mention rapidly accelerating the crisis, is what makes Wildfire so good. It never reads too fast, even though Hawkins moves fast through the events. Again, there’s a lot of science, which might cause a natural slowdown.
The only problem is Sejic’s computer art. She has this style of a cartoonish–if detailed–character against a glossy, computer generated background. It frequently distracts from the story.
Writer, Matt Hawkins; artist, Linda Sejic; letterer, Troy Peteri; editor, Betsy Gonia; publisher, Top Cow Productions.