So after an entirely forward-looking first issue, Chaykin gets around to the flashbacks in the second. In some ways, since the Shadow isn’t the most familiar character, an origin is necessary. But Chaykin goes overboard. He feels the need to rationalize the magical city where the Shadow, back before he was the Shadow, finds himself. There’s too much confusion around the Shadow’s identity too; it’s too dense. The origin takes a whole fourth of the series and there’s got to be some stuff in there Chaykin doesn’t need.
It’d be worse if he uses it all, considering how stuffed he makes the origin. All that extra material cuts back on the composition possibilities too. There’s a nice visit to Shanghai, but the out of fuel airplane sequence is a waste of visual time. And the magical city? Chaykin’s too cynical for it.
It’s decent enough, but Chaykin handles it predictably.
Blood & Judgment, Part Two; writer and artist, Howard Chaykin; colorist, Alex Wald; letterer, Ken Bruzenak; editor, Andrew Helfer; publisher, DC Comics.