Hulk / Wolverine: Six Hours 3 (April 2003)

Hulk / Wolverine: Six Hours #3

Jones maintains a great pace through Six Hours. He’s got his four plot lines going–Bruce and Logan, the villain (the Shredder, because apparently Eastman and Laird don’t know how to copyright), the captive pilot and the missing boy’s parents back in Florida. It moves really well; Jones doesn’t cover a lot of time, but he does spend just the right amount on each characters’ experiences.

Unfortunately, he also has some really goofy dialogue. And Bruce and Logan barely have anything to do in the comic. They bicker a lot. Jones isn’t big on character development and he’s even less inclined to spend any time developing his two leads. The cliffhanger, with Bruce and Logan versus the Shredder (or at least the first attack), is just silly.

Dialogue aside, it’s also silly because it’s a big action set piece on a tranquil lake. Kolins does fine on art, lake and all.

B- 

CREDITS

Writer, Bruce Jones; artist, Scott Kolins; colorist, Lee Loughridge; letterer, Dave Sharpe; editor, John Miesegaes; publisher, Marvel Comics.

Copperhead 1 (September 2014)

Copperhead #1

Copperhead is a Western. It has sci-fi and some elements of police procedural, but it’s a Western. It opens with a new sheriff coming to town on a train and having an unhelpful deputy. It’s a Western.

And it’s a darned good one.

Writer Jay Faerber operates with a “people is people” mentality. Even though the sheriff is human, her deputy and many (or most) of the townspeople are not. Undoubtedly, Faerber will explore the different alien races, but their personalities are what’s strongest now. So while artist Scott Godlewski draws all manner of aliens–cute, scary, in-between–Faerber’s writing defines them.

Well, and Godlewski’s great attention to expression.

Faerber gets a lot done, giving the sheriff a nemesis and a couple cases. She’s also got a kid who just can’t help being helpful. Again, very Western.

I wasn’t expecting anything from Copperhead but it’s an awesome comic.

A 

CREDITS

Writer, Jay Faerber; artist, Scott Godlewski; colorist, Ron Riley; letterer, Thomas Mauer; publisher, Image Comics.

The Fury of Firestorm, The Nuclear Man 43 (January 1986)

The Fury of Firestorm, The Nuclear Man #43

What is it about Kayanan? Why does he never gets the right inker on Firestorm? Mike Machlan is better than the last couple guys, but still not great. For a lot of the pages, Kayanan seems to avoid a lot of close-ups because Machlan butchers the faces.

The story has Ronnie and Martin at college, with Ronnie adjusting to college freshman life and Martin's thought balloons covering his unease as a new professor. He doesn't really get a story, however. And Conway gives Ronnie too much. Between football tryouts, which Kayanan doesn't break out well, his girlfriend and his high school nemesis plotting his downfall… it's too much. What's really bad is how ineffectual the girlfriend is as a character; Conway basically reinvents her every seven issues.

The other plot–villain Typhoon's return–as awkward. Conway wants him to be both dangerous and sympathetic, but goes to far in the first direction.

B- 

CREDITS

Night of Tears, Sky of Sorrow; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Mike Machlan; colorist, Nansi Hoolahan; letterer, Carrie Spiegle; editor, Janice Race; publisher, DC Comics.

Prometheus: Fire and Stone 1 (September 2014)

Prometheus: Fire and Stone #1

Maybe doing a sequel to an in name only movie franchise isn’t a good idea. Because Paul Tobin’s script for Prometheus doesn’t have much to do with the movie. Anything yet, actually. Except the planet. It’s actually a sequel to Aliens, the movie, not the comics (near as I can tell).

Tobin sends a group of varied scientists and military personnel and some other things–no warrant officers so far–to the planet. Someone’s investigating the death of Guy Pearce from the movie but it’s set 130 years later or something because no bumping into the unmade but planned Prometheus sequel.

It’s predictable alien planet exploring. I’ll bet there’s some stuff with the goop and, hey, look, a ship of aliens from Aliens. I’m shocked.

Juan Ferreya is way too gentle for the art too.

Tobin’s script is boring and forced from the first page. Fire and Stone sinks fast.

D 

CREDITS

Writer, Paul Tobin; artist, Juan Ferreyra; letterer, Nate Piekos; editors, Ian Tucker and Daniel Chabon; publisher, Dark Horse Comics.

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