Robocop 5 (November 2015)

Robocop #5

Once again, there are occasional moments where this issue of Robocop feels a little bit too much like Robocop 2. Not even the action, but the way Williamson is moving things along for Murphy. The evil OCP conspiracy, him having to get fixed. In terms of action, however, there is an ED–209 fight and Murphy having a super-nightstick instead of a gun.

Also, Robocop not getting a gun feels a little too much like Robocop 2 as well.

I hate bringing up those comparisons, but Williamson was setting Robocop the comic up to be something different. Magno’s art is still gritty (though really problematic in this issue) so some of the details really don’t play.

But there’s good character work on Lewis, if her dialogue gets a little too much towards the end of her scenes. And some nice small parts from familiar movie characters.

Not bad stuff.



Writer, Joshua Williamson; artist, Carlos Magno; colorist, Marissa Louise; letterer, Ed Dukeshire; editors, Alex Galer and Ian Brill; publisher, Boom! Studios.

Nailbiter 5 (September 2014)

Nailbiter #5

It’s the best issue of Nailbiter in a while as Williamson wraps up his first arc. He’s set up the series now–Finch, the visitor, isn’t just staying but now there’s new shocking new information about him. Williamson, for better or worse, seems to be positioning the series–with its variety of characters but relatively few locations–for a TV series option.

There’s some rather good art from Henderson in the issue. He doesn’t do particularly well with the action sequences, but those missteps might be due to the silliness (the latest serial killer is dressed as some kind of Neolithic warrior); but the regular talking scenes are quite good.

There’s foreshadowing, there’s fake resolution (for every window Williamson closes he opens a couple doors) and there’s the titular nail biting serial killer playing hero. It’s entirely artificial, but so well executed it doesn’t matter. Williamson pulls the strings well.



Writer, Joshua Williamson; artist, Mike Henderson; colorist, Adam Guzowski; letterer, John J. Hill; editor, Rob Levin; publisher, Image Comics.

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