Robocop 6 (December 2014)

Robocop #6

It’s a bridging issue. An undercover cop goes after Killian–in one of Williamson’s most unexpected moves, the character (who everyone is accusing of being an undercover cop) turns out to be an undercover cop just in time for the cliffhanger. Robocop gets beat up by the new ED–209, which has a silly name I can’t remember. And Anne Lewis gets into a yelling match about how she’s not going to back down from her job (with another female detective).

And Robocop gets new legs. He can run now. Not quite a jetpack, but… a running Robocop.

Next time, because this issue is a bridging issue.

It’d probably be okay if it weren’t for some real compositional laziness on Magno’s part. He’s wasting a lot of space, with angles intended to fill space with blah content. Without anything particularly good in the narrative, the art pitfalls hurt the issue.

B- 

CREDITS

Writer, Joshua Williamson; artist, Carlos Magno; colorist, Marissa Louise; letterer, Ed Dukeshire; editors, Alex Galer and Ian Brill; publisher, Boom! Studios.

Judge Dredd 22 (August 1985)

Judge Dredd #22

It’s the war comic I’ve been expecting from Wagner for a while now. Dredd and the judges with him have a mission and they try to carry it through. There are changes, but minor ones. It’s just a war comic, even during the bewildering sequence where the judges have to knock down the supports on a giant highway system to stop the invasion.

It all looks too simple. Ezquerra has some nice panels but he never establishes the lack of reality in the set pieces. Instead of it being fantastic, Ezquerra instead goes for cheap thrills.

But the big silly action sequences are still mostly successful. Wagner writes them well, silly or not. The only drawback, other than the major problems, is Walter and the comic relief. Wagner goes too far with the comic relief, which leads to some lame jokes.

It’s fine enough, it’s just a little bit tiresome.

B 

CREDITS

Writer, John Wagner; artist, Carlos Ezquerra; colorist, John Burns; letterer, Tom Frame; editor, Nick Landau; publisher, Eagle Comics.

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