Rebels 1 (April 2015)

Rebels #1

I’m not sure a Revolutionary War epic is a thing. Not anymore, anyway. Certainly not in comics. But no one told Brian Wood because he’s trying to make a Revolutionary War epic with Rebels.

And there’s only one odd “tea party” reference. Otherwise, there’s nary a wink to be found in the comic. Given artist Andrea Mutti’s occasionally static figures, Rebels almost feels like one has found him or herself back in a Classics Illustrated.

As for the story, it’s okay. Wood labels the time transitions but doesn’t really make them matter to the reader until it’s too late. He’s in good company (“Downton Abbey” did the same thing). There are some father-son issues, some really strange future tense narration (Wood’s giving historical fiction texture but he’s also making his narrator weepy without context).

The comic goes out too tepidly. But it’s still successful. For a Revolutionary War epic.


A Well-Regulated Militia, Part One; writer, Brian Wood; artist, Andrea Mutti; colorist, Jordie Bellaire; letterer, Jared K. Fletcher; editors, Spencer Cushing and Sierra Hahn; publisher, Dark Horse Comics.

Captain Victory and the Galactic Rangers 5 (February 2015)

Captain Victory and the Galactic Rangers #5

Connor Willumsen contributes maybe four pages to this issue of Captain Victory and, wow, it really doesn’t help the comic. The comic’s all right–it starts sci-fi heavy (something about Fox’s art doesn’t match the Kirby designs in the denser areas)–and the main action in New York City is great. Except when it’s Willumsen’s pages. He draws cute.

The issue has the young Victory clone and his vigilante mentor fighting an evil pig monster. Willumsen draws the pig monster cute. He also draws young Captain Victory cute. Well, more than cute. Pretty. Willumsen draws Victory as a pretty teenage girl with a short hair cut. It’s really, really weird.

But Fox is back soon enough and he and Casey do all right. The issue ends with a lot of alien tech art and not a lot of story. It’s not a good cliffhanger. But the rest works out.


Writer, Joe Casey; artists, Nathan Fox and Connor Willumsen; colorist, Brad Simpson; letterer, Simon Bowland; editors, Molly Mahan, Hannah Elder and Joseph Rybandt; publisher, Dynamite Entertainment.

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