Chrononauts 1 (March 2015)

Chrononauts #1

I like how Mark Millar has gotten to the point I don’t even bother forming an opinion on his first issue. Take Chrononauts. Good–but surprisingly not great–art from Sean Murphy. Of course, Millar often works with good artists.

The story? Time travel in the near future. Millar comes up with something rather interesting, the idea of a time traveling satellite going back in time, transmitting video of an event, crashing down in a different time period. It’s cool. Then he gets to the guys who are going to go back in time. Both are rock star scientists–because Millar has to write rock star something or others–one has an ex-wife, one is a lothario. Millar’s not stretching here. He’s got his characters, he recycles them.

But the time travel stuff with the guys? Boring. Feels like a Stargate comic.

But, it’s Millar; I’ll delay critical thinking.


Writer, Mark Millar; artist, Sean Murphy; colorist, Matt Hollingsworth; letterer, Chris Eliopoulos; editor, Nicole Boose; publisher, Image Comics.

Ghosted 19 (April 2015)

Ghosted #19

Okay, Laci’s art isn’t working out for Ghosted, especially not this issue. It’s talking heads–with one important bit of unexpected actions and one hinted one; so it’s mostly talking. And Laci can’t do it. His art works on a macro creepy level, but he doesn’t get into expressions enough for the characters to “perform” their fear and discomfort.

Williamson has quite a bit of fun with the script. He starts off with something entirely unexpected, then sort of avoids it. The issue takes place over twenty minutes at the most, following two and then three sets of characters. If the issue didn’t have such a surprising (though maybe it shouldn’t have been) development, it would have been fine with five or six pages.

And being able to make something a big deal is one of Williamson’s strengths. He does the character work to make his big plot developments succeed.


Writer, Joshua Williamson; artist, Vladimir Krstic Laci; colorist, Miroslav Mrva; letterer, Rus Wooten; editors, Michael Williamson and Sean Mackiewicz; publisher, Image Comics.

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