Curb Stomp 3 (April 2015)

Curb Stomp #3

The first issue of Curb Stomp had a lot of promise, the second issue implied maybe it didn’t… the third shows Ferrier and Neogi are going to do even better than that initial promise. It’s an outstanding comic book with a masterful control of the plotting. And some of Neogi’s best art–there are a lot of rituals in this issue (as the gangs negotiate) and Neogi has a visual theme for each different kind of ritual. It’s awesome.

Ferrier’s script is almost in real time but lots of things happen. It’s not a talking heads comic, it’s an action comic, just one with occasional talking. Each conversation is a confrontation, which works entirely differently. It’s not about exposition or explanation, it’s about action.

Not to say there isn’t general action–whether it’s suspense or just all out fight scenes–but Ferrier and Neogi do a great job maintaining tone.


Writer, Ryan Ferrier; artist, Devaki Neogi; colorist, Jeremy Lawson; letterer, Colin Bell; editors, Jasmine Amiri and Eric Harburn; publisher, Boom! Studios.

Velvet 10 (April 2015)

Velvet #10

It’s a bridging issue. But, since it’s Brubaker, he feels the need to do it to bridge his arcs together. To give that trade paperback an extended cliffhanger, not just each issue in the trade.

It lacks texture, it lacks tone. Brubaker actually does have this significant new character (Sean Connery) running around Velvet, but he doesn’t make his presence felt, just talked about. It’s unfortunate, but it’s still, you know, generally okay. Brubaker’s narration is good, Epting’s art is good, it just doesn’t go anywhere.

And it’s not clear Velvet really does need to go anywhere. It’s a spy thriller; the gimmick of having a forty year-old female protagonist in a “James Bond was framed” story isn’t even giving it any mileage anymore. It’s an okay comic book, with its creators a little jaded and commercial but still having fun.

I enjoy reading Velvet, even if it’s shallow.


The Secret Lives of Dead Men, Part Five; writer, Ed Brubaker; artist, Steve Epting; colorist, Elizabeth Breitweiser; letterer, Chris Eliopoulos; editor; Eric Stephenson; publisher, Image Comics.

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