Ms. Marvel 15 (July 2015)

Ms. Marvel #15

Okay, what is Wilson doing?

She knows where the story beats are for this issue but she doesn’t hit them. Kamala gets her first broken heart. Wilson gives it the last page and less emphasis than a string of Star Trek and Star Wars references. After a big gamer reference.

Did Marvel’s market research come back on Ms. Marvel or something? Because it’s darned frustrating considering the rest of the issue is pretty good stuff. There’s an amusing “real world” products in the comic book context with Bruno using Siri and Kamala’s phone being better than anything James Bond had in the sixties and maybe seventies. Wilson’s got the chops to do something amazing and, every time something significant comes up, she goes for the cheap shot.

And the overall plotting is getting stretched.

Ms. Marvel’s still an exceptionally likable comic, Wilson’s just making it more likable than exceptional lately.

CREDITS

Crushed, Part Three; writer, G. Willow Wilson; artist, Takeshi Miyazawa; colorist, Ian Herring; letterer, Joe Caramagna; editors, Charles Beacham and Sana Amanat; publisher, Marvel Comics.

Sons of Anarchy 22 (June 2015)

Sons of Anarchy #22

For the first time since he took over writing the book, Ferrier delivers a good Sons of Anarchy script. He doesn’t waste too much time with his new character–the obnoxious club prospect who turns on them–and he gives everyone else enough to do. He actually works on Jax’s character, which is cool.

Unfortunately, Bergara’s art is just as inappropriate as always. It seems like a Saturday morning cartoon, not a gritty comic book. There’s lots of blood this issue, but lots of blood not a comic book make. The prospect looks like mean Archie, everyone else looks slightly goofy. It’s like Bergara’s saying not to take the comic too seriously and not the sentiment one needs while reading it.

Ferrier’s moves are quite good once the issue gets going–so good it’s almost possible to overlook the art problems–and it ends well. Except the art, of course.

CREDITS

Writer, Ryan Ferrier; artist, Matías Bergara; colorist, Paul Little; letterer, Ed Dukeshire; editors, Mary Gumport and Dafna Pleban; publisher, Boom! Studios.

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