Howard the Duck 24 (May 1978)

Howard the Duck #24

I have a lot of fundamental problems with this issue of Howard the Duck. I don’t mind it being great, but I don’t like how Gerber’s not just able to get away with finally addressing the Bev situation he’s also able to get sympathy from it. The effectiveness of Howard walking the streets sad is incredible. It’s an introspective look at how the character works. Gerber’s laying it all out for the reader to examine.

It’s amazing. It’s an amazing comic book. And I don’t like how Gerber’s able to get away with it. Just because he can get away with it doesn’t mean he should. It’s frustrating.

Howard the Duck–with its realistic Colan pencils (with Palmer inks, natch)–is all of a sudden Henry Miller the Duck and it’s awesome. Gerber sells it all. He even gets to a truly great soft cliffhanger.

Frustrating or not, it’s phenomenal.

CREDITS

Where Do You Go — What Do You Do — The Night after You Save the Universe?; writer and editor, Steve Gerber; penciller, Gene Colan; inker, Tom Palmer; colorist, Janice Cohen; letterer, Joe Rosen; publisher, Marvel Comics.

Crossed + One Hundred 6 (June 2015)

Crossed + One Hundred #6

Reading the last issue of this arc (as I guess it’s continuing somehow), I couldn’t stop thinking about the finale of Garth Ennis’s original Crossed run. How he mixed humanity with desperation without exactly going for sympathy.

Moore does something similar with this issue. It’s not the unimaginable horror show the quiets in the series promised, however. It’s a Crossed horror show to be sure, but it’s not unimaginable. Moore and Andrade concentrate on the story, they concentrate on the explorers as they’ve been doing. These characters don’t see it as a horror show; it’s life. The trick is how Moore and Andrade work the reader’s perspective without desensitizing.

+ One Hundred has always been a strange concept–Alan Moore doing a special series of an Avatar franchise. The finale is just as thoughtful, just as unexpected as the rest of the comic’s been. Great writers write great, regardless of material.

CREDITS

Writer, Alan Moore; artist, Gabriel Andrade; colorist, Digikore Studios; letterer, Jaymes Reed; publisher, Avatar Press.

Howard the Duck 23 (April 1978)

Howard the Duck #23

Leave it to Steve Gerber to do the impossible here. Wow. He takes this peculiar story arc (which ties back to Howard’s first appearance and ignores everything else in the series so far) and throws in these (intentionally) painfully obvious Star Wars references and then goes loose with it all.

The result is a good Spaceballs. The result is the perfect mix of subversive material, mainstream gags and storytelling intelligence. The comic’s called Howard the Duck and the duck’s been paddling around in a circle. Why’s Gerber do it? To make the return to him here work. It’s a strange thing–this issue is so tied to the previous one, it might have worked better as a single issue. Maybe double-size.

Because this comic–with gorgeous Mayerik art (wonderful depth)–is amazing. It’s “space humor” done better than anyone’s done it since or before. Even Dark Star.

It’s magnificent.

CREDITS

Star Waaugh; writer and editor, Steve Gerber; artist, Val Mayerik; colorist, Janice Cohen; letterer, Irving Watanabe; publisher, Marvel Comics.

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