Howard the Duck 29 (January 1979)

Howard the Duck #29

Gerber writes the script from a Mark Evanier plot.

It starts with Howard in Cleveland again, though it doesn’t look like Howard. Will Meugniot and Ricardo Villamonte’s art is strange; Howard’s reality is gone. It’s a comic strip. Meugniot’s got fine enough composition, but zero detail.

The story doesn’t have much Cleveland–Howard almost immediately ends up in Las Vegas where he’s going on television because some idiot Vegas lounge act thinks Howard’s a kid with a strange disease. You know, a disease where he looks like a duck.

How did this one not get turned into the movie? Maybe it did. I don’t think I’ve ever finished the movie.

Anyway… it’s not exactly bad. The art’s not good. Gerber’s dialogue is funny but detached. And the satire is pretty tepid. There’s no great diatribes, no passion, just easy targets.

It feels like a pitch for a TV show.

CREDITS

Help Stamp Out Ducks!; writers, Mark Evanier and Steve Gerber; penciller, Will Meugniot; inker, Ricardo Villamonte; colorist, Michele Wolfman; letterer, Joe Rosen; publisher, Marvel Comics.

Godzilla in Hell 1 (July 2015)

Godzilla in Hell #1

I’m curious how writer-artist-colorist-letterer (hah to the letterer credit but more on it in a bit) pitched Godzilla in Hell to IDW. Or did they ask him to pitch?

If so, did they ask him to pitch a comic with nothing but Godzilla walking around and fighting. If so, did they ask anyone else to pitch it, because I can’t imagine anyone but Stokoe making Hell a workable prospect.

The comic consists of Godzilla arriving in Hell. He walks around. He fights a couple monsters. He has to weather a huge storm of human bodies (presumably souls). He’s Godzilla. He kicks butt, he takes names, he uses his atomic breath.

There’s no narrative–it feels like a level in a video game, actually–but there’s gorgeous Stokoe art. Whether it’s the highly detailed damned storm or just Godzilla in a long shot, it’s a gorgeous comic book. Goes nowhere, doesn’t have to.

CREDITS

Writer and artist, James Stokoe; editor, Bobby Curnow; publisher, IDW Publishing.

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