Copperhead 9 (July 2015)

Copperhead #9

Faerber does another Western standard this issue and it’s yet another success for Copperhead. The sheriff is leading a posse (her, three androids, one of the native guys–I think he’s a native guy, I can’t remember) to rescue Boo. It’s a standard Western. Only the androids have their own thing going on–two are bodyguards, one is the loner who’s been in the series hanging out and helping out.

And the sheriff’s human. And a woman. Faerber doesn’t mention those last two details; to make it work, he has to bake it into the comic. He does. With Godlewski’s expressions–not exactly detail to faces, but considered expressions–there’s os much to the posse’s hunt.

The sheriff isn’t the flashiest character in most of the issues, but she’s still the protagoni:ccst. Faerber is deliberate with how he showcases her. She’s responsibly reckless.

Copperhead continues to be a great read.

CREDITS

Writer, Jay Faerber; artist, Scott Godlewski; colorist, Ron Riley; letterer, Thomas Mauer; publisher, Image Comics.

Howard the Duck 31 (May 1979)

Howard the Duck #31

What a bad comic. Whether it’s Mantlo’s rhyming of adjectives and nouns, the lamebrain fight scene, Bev’s silly way of resolving her situation–it’s all bad. It’s all bewilderingly disconnected, not just from the series, but from the other elements of the comic. It’s like Mantlo can’t even figure out how to move these characters in relation to one another.

And I want to be positive about it. Like anyone would be in trouble trying to followup Gerber but Mantlo does a bad job. Independent of not being Steve Gerber, he does a bad job. Howard acting like a snarky sitcom character isn’t Howard. He and Bev get together again it’s not even a scene. Regardless of having Colan on the pencils (though Milgrom’s inks weaken quickly), it doesn’t feel right.

Howard’s big adventure ends and it’s not even Howard anymore. It’s a clueless imitation. Marvel Nurse Ratchet’d him.

CREDITS

The Final Bong!; writer, Bill Mantlo; penciller, Gene Colan; inker, Al Milgrom; colorist, George Roussos; letterer, Irving Watanabe; editor, Jim Shooter; publisher, Marvel Comics.

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