The Auteur: Sister Bambi 3 (July 2015)

The Auteur: Sister Bambi #3



There’s some good stuff in this issue. Rex pleading with Coconut to understand his position–he had to take the financing from the Nazis in order to get his picture made–all while the serial killer guy watches and comments on his failures. As serial killer guy eats a shark raw. Or something like a shark.

But Spears’s big reveal for the second half of the issue–when Rex tries to wrestle back creative control–is weak. Spears goes for a zeitgeist topic while commenting on going for a zeitgeist topic. At first, it seems like it’s going to be offensive. But then it just ends up being a little lame. He’s trying way too hard on it.

Callahan’s got some good art but his pacing is all off. The first third is too condescended, the rest isn’t condescended enough.

It’s closer to flopping than it should be.


Shock-umentary; writer and letterer, Rick Spears; artist, James Callahan; colorist, Luigi Anderson; editor, Charlie Chu; publisher, Oni Press.

Kaijumax 4 (July 2015)

Kaijumax #4

Cannon goes the extra step this issue, time and again. By extra step, I mean he distances himself from the gimmick–Monster Island as a prison–and it becomes a prison drama. With all the hard things a prison drama entails.

Sure, there’s the mystery of the kid from Godzilla’s Revenge trying to coax Minya into assassinating Godzilla, but it’s a heavy sequence (full of emotional abuse). It would be the lightest of the four subplots. And there’s a half subplot about one of the Ultraman guards finding he enjoys having the power over the prisoners.

It’s a disturbing comic book.

Cannon’s style, ready for Saturday morning cartoons, along with the wide open vistas of the island (logically, isn’t the island a little small for all the monsters), go against the grit of the story. It just makes the comic all the more affecting.

Kaijumax is rewarding, just difficult reading.


Mutated Out; writer, artist and letterer, Zander Cannon; editor, Charlie Chu; publisher, Oni Press.

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