It’s an okay issue. It’s just too uneven.
The first story, with art by Ian Gibson, is a flop. Gibson’s style might be how I always think of Judge Dredd–visibly British, visibly stilted. Such long faces. Literally.
Grant and Wagner’s script is about a Block War, sort of. There’s a simple explanation though and a moral to the story. Dredd might even get touchy-feely at the end. It doesn’t come off with the Gibson art.
But the second story is a major improvement, with Colin Wilson taking over. Wilson makes one bad style choice–he casts one character as a noir villain instead of a luckless sap, which is more appropriate; I think an evil mustache is involved. The story’s solid. Dredd versus loan sharks who keep your loved one in suspended animation until you pay.
The last story, again with Wilson art, isn’t particularly good. It’s better than the first story, with Wilson showing how the right artist can make anything in a Grant and Wagner story work, but Dredd versus hackers is boring. Except how well Grant and Wagner forecast cybersecurity threats.
Writers, Alan Grant and John Wagner; artists, Ian Gibson and Colin Wilson; colorist, Janet Landau; letterer, Tom Frame; editor, Nick Landau; publisher, Eagle Comics.