Judge Dredd’s Crime File 6 (January 1986)

Judge Dredd's Crime File #6

Gibson finally gets a story with content matching his style to my liking–lizard-men aliens who zap you and make your worst fears attack you so you lose your mind. Very fantastical stuff in a very fantastical setting–a housing block designed to be a maze, only its abandoned because no one could find their way around (thanks to hoodlums pulling off the directional signs).

Oddly, after coming up with such a strange setting, Grant and Wagner don’t do anything with it. It’s a lame shoot out and then a “rah rah” Judge Dredd twist at the end. It makes a fine final panel for the comic (in its last issue here), but the story’s a flop. Except for that Gibson art.

Gibson illustrates the other four stories in the issue to various effect. Grant and Wagner cowrote all of them as well. There are the humanizing ones–like when Dredd’s got to save his niece or when Walter gets into trouble (I missed Walter)–and the funnier ones–Dredd and a fascist alien, Dredd and, oddly, a dirty judge (it’s funny by the end), so it’s a good mix of what Grant and Wagner do with the character and setting.

I’m just upset Mazny Block wasn’t better utilized.

Writers, Alan Grant and John Wagner; artist, Ian Gibson; colorist, Janet Landau; letterer, Tom Frame; editor, Nick Landau; publisher, Eagle Comics.

The Fiction 4 (September 2015)

I don’t understand The Fiction. I don’t understand what Pires is going for. This final issue, which is so movie-ready the black guy realizes he’s the third wheel in a meta-moment, dumbs down the story. It’s like Pires wanted to make The Unwritten simpler. This issue I also noticed the numerous similarities to Stephen King’s It.

But what Pires doesn’t seem to get is how mismatched Rubín is for that approach to the material. Rubín can’t do craven commercialism, which is what Pires asks this issue. The result is a funny looking comic with no visual rhythm. It doesn’t help there are four or five endings, starting about five pages into the issue.

In all The Fiction has been a disappointment. But Pires is getting better. I don’t think I finished his last book for BOOM!. Will his next series be better? Probably. I mean, he doesn’t threaten another series of The Fiction, which is a good start.

CREDITS

Neverending or Until We Can’t (Let’s Go); writer, Curt Pires; artist, David Rubín; colorist, Michael Garland; letterer, Colin Bell; editors, Jasmine Amiri and Eric Harburn; publisher, Boom! Studios.

Powered by WordPress.com.

Up ↑

%d bloggers like this: