I missed Pretty Deadly. I forgot what it was like to read a comic aware of its genre possibilities, acknowledging of them to some degree, but entirely disinterested in taking part. As a result, the comic is its own thing, something strange and ethereal and beautiful from DeConnick and Rios.
This issue definitely starts off a new arc, dealing with the descendants of the previous characters (set in World War I, at home and in France). DeConnick doesn’t introduce or reintroduce anyone (the text prologue has very little to do with the majority of the issue). Instead, it’s just time to read Pretty Deadly again.
The amount of work Rios and DeConnick put into the visual construction of the comic is reason alone to read it. It’s cohesive, yet full of little visual sequences–not subplots as much as narrative tangents–all with a mildly different approach.
DeConnick’s thoughtful, deliberate characterizations keep it from ever getting too hostile to distracted readers. Even though there’s a fantastical, dreary, magical world, because the characters are able to navigate it, so is the reader.
It’s great to have it back.
Writer, Kelly Sue DeConnick; artist, Emma Rios; colorist, Jordie Bellaire; letterer, Clayton Cowles; editor, Sigrid Ellis; publisher, Image Comics.