It’s so funny. How can it be so funny? Ennis isn’t even trying this issue. He’s gotten through two bombshell reveals in the previous issue and here he sort of takes a break from comic narrative and instead goes for easy laughs.
And it works. Something about Ennis’s style, something about Dos Santos’s artwork–Train Called Love is this leisurely, self-indulgent, cheaply funny (in a smart way) fun (big) little comic. Ennis enjoys the scenes. He drags them out; the characters are funnier the longer they’re on page, which is awesome. Dos Santos is responsible for a lot of the narrative pacing; he’s got a lot going on in, movement, expression, placement. His style’s simple (Saturday morning cartoon almost) but he knows what he’s doing with it.
Even though not all of this issue connects as much as it could–the pillow talk sequence feels forced–the conclusion is awesome. Ennis wraps up the issue’s plot (a little), moves a couple subplots forward, including a big one, and then manages to end on another surprise. If A Train Called Love manages to keep this speed and quality for all of its twelve issues, it might actually end up being one of Ennis’s most impressive limited series.
Everybody Knows That I Love You; writer, Garth Ennis; artist, Marc Dos Santos; colorist, Salvatore Aiala Studios; letterer, Rob Steen; editor, Rachel Pinnelas; publisher, Dynamite Entertainment.