Oh, come on. First of all, Alburquerque has seemingly forgotten how to draw President Blades. He who was the protagonist of Letter 44 when it seemed like it was going to be a better comic book. It’s distracting, Alburquerque forgetting, because it makes Blades seem even less like himself. Given he’s President over World War III after starting as an Obama stand-in, Soule and the book need everything they can get to try to convince the reader its the same character.
Because, really, Letter 44 feels like a TV show with a completely different tone in the second season. Except it’s been Soule. And this issue might be where he finally jumps the shark. After a sturdy and encouraging start, the book has descended into a mix of sci-fi tropes, but well applied. Until this issue. Soule throws out logic (oh, yeah, there was some science at the beginning too, right?) and goes for the melodrama.
Only, since none of these characters act the same or even look the same, there’s no melodrama to be had. It feels like a dumb soap opera and looks like a worse one. I don’t think Soule’s ever been so cheap with the characters before–Blades and the First Lady, I mean–he’s short-changed them for a dozen issues or more, but he’s never been cheap.
Writer, Charles Soule; artist, Alberto Jiménez Alburquerque; colorist, Dan Jackson; letterer, Crank!; editor, Robin Herrera; publisher, Oni Press.