It’s The Humans version of a bridging issue, except because of how Keller paces it out, it’s just the plot perturbing. Each issue of The Humans has revealed another potential of the comic and this one is no different. The ability to further the plot while distracting the reader with a solid “done in one” situation is getting rarer, but Keller certainly knows what he’s doing.
He and Neely work for readers’ dollars. It’s a little surprising to see such concern for the reader, actually. The Humans is a complex book, with lots of characters, lots of C plots, lots of scenery. Keller and Neely make sure the reader can digest all of it. There’s a lot of effort and value in the content.
Still, and it’s the pessimist in me, I hope Keller doesn’t do these performances too often. The Humans is high concept (sci-fi Planet of the Apes, home front Vietnam stuff) and Keller seems more than willing to work at that high concept. He ought to have fun, but not at the expense of the book’s more serious qualities.
Welcome to the Skin-Cage; writer, Keenan Marshall Keller; artist, Tom Neely; colorist, Kristina Collantes; publisher, Image Comics.