Kennel Block Blues has that predictable Ferrier drop in quality the second issue. I’m fine with it. What’s weird–and I was expecting Ferrier to have a drop because he’s stretched three issues worth of story to four issues before–is how well Blues contains the explosion. The story this issue–involving a terribly planned prison break (I mean, one really has to question the intelligence of this dogs)–rearranges the characters. It doesn’t develop them, it moves them to different places in the narrative. Actually, it’s weirder than I thought….
Well, in rearranging the characters’ conflicts, it acts more as a postscript to the first issue than it’s own part of a whole. It’s a treading water issue, only really, really fast treading. Ferrier has a lot to get through. He and Bayliss don’t just have the prison break to stretch out, they also have the way they introduce the plan. It’s awesome visual pacing from Bayliss. It’s not particularly effective because there’s no content, but the art’s great.
So, even though it’s not a great comic, it’s a well-produced mediocre one. Ferrier hasn’t found the right editor. Or I’ll be wrong and the next issue of Blues won’t recover; I think it will though.
Writer, Ryan Ferrier; artist, Daniel Bayliss; colorist, Adam Metcalfe; letterer, Colin Bell; editors, Mary Gumport and Eric Harburn; publisher, Image Comics.