Train Called Love is approaching the finish, which might be why Ennis takes something of a breather here. Following the transportation analogy, this issue is mostly talking heads. Characters are summing up, thinking through their decisions, having introspective moments. The comic–I almost called it “the film,” following through on my suspicions it’s Ennis’s attempt at writing outside comics returned to comics–the comic is gearing up, but also winding down. It’s a bridging issue in a series where bridging means character work. Ennis loves this character work.
There’s a lot of humor, of course. Ennis also loves the absurdist humor. Maybe even moreso than usual because Train takes place in the “real” world. Dos Santos’s cartoon-influenced style just highlights the desperate reality of it all.
I do wish I better remembered the characters’ names. Maybe in a single sitting, they’ll stick through. But regardless of them having memorable names, there are some great moments for these characters. Marv’s suffering lady friend, for example. Ennis gives her so much quiet sadness, punctuated by so much ugliness in the world around her. Ennis is daring the reader to hope for the characters. It’s always a dare in this kind of comic.
It’s a mellow issue. There’s no flash, just deliberate writing, deliberate art.
All the Burning Bridges That Have Fallen After Me; writer, Garth Ennis; artist, Marc Dos Santos; colorist, Salvatore Aiala Studios; letterer, Rob Steen; editors, Anthony Marques, Rachel Pinnelas and Matt Idelson; publisher, Dynamite Entertainment.