The Flintstones 5 (January 2017)

The Flintstones #5

Russell tries a little too hard; he splits between 2016 U.S. political metaphor–sort of–for Pebbles and Bamm-Bamm and some really heavy stuff for Fred and Barney. Like, old war stories heavy. It’s well-written enough, beautifully illustrated, but it’s too thin for Russell’s ambitions.

CREDITS

Election Day; writer, Mark Russell; artist, Steve Pugh; colorist, Chris Chuckry; letterer, Dave Sharpe; editors, Brittany Holzherr and Marie Javins; publisher, DC Comics.

Prophet Earth War 6 (November 2016)

Prophet Earth War #6

Graham and Roy finish Prophet with a weak, manipulative finale. Rushed art and an action movie fight scene. It’s decidedly lacking in ambition. Then they exit by pulling on the longtime reader’s heartstrings, but it’s too little, way too late. It’s a shame what happened to Prophet.

CREDITS

Writers, Brandon Graham and Simon Roy; artists, Roy, Giannis Milonogiannis, Grim Wilkins and Graham; colorists, Joseph Bergin II, Graham and Lin Visel; letterer, Ed Brisson; publisher, Image Comics.

Big Trouble in Little China/Escape From New York 2 (November 2016)

Big Trouble in Little China/Escape From New York #2

There are a couple plot twists and they’re both lame. Worse is Pak’s revelation Big Trouble Jack Burton has the same super powers as the Black Cat. Bayliss is weak on expressions, which doesn’t help Pak’s lame Snake Plissken characterization. Might be time to plan my escape.

CREDITS

Snake’s World; writer, Greg Pak; artist, Daniel Bayliss; colorist, Triona Farrell; letterer, Simon Bowland; editors, Alex Galer and Dafna Pleban; publisher, Boom! Studios.

Hadrian’s Wall 2 (October 2016)

Hadrian's Wall #2

The issue’s a little drawn out as far as the script goes, but Reis’s art more than carries it along. And there’s some decent detective investigation exposition slash narration, with the detective recording his notes. But the soft cliffhanger’s weak. The writers take advantage of the medium.

CREDITS

Writers, Kyle Higgins and Alec Siegel; artist, Rod Reis; letterer, Troy Peteri; editor, Matt Idelson; publisher, Image Comics.

Kong of Skull Island 4 (October 2016)

Kong of Skull Island #4

There’s simultaneously too much and not enough going on. Asmus doesn’t do any character development, just more revelations in the political intrigue. He hasn’t built the foundation for it. While Magno has some beautiful composition for the still moments, the action’s messy. Kong’s a lot of work.

CREDITS

Writer, James Asmus; artist, Carlos Magno; colorist, Brad Simpson; letterer, Ed Dukeshire; editors, Alex Galer and Dafna Pleban; publisher, Boom! Studios.

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