Batman: White Night is ambitious. Writer-artist Sean Murphy, after years of drawing excellent Batman in middling Batman comics for high profile writers, is trying both hats. And he’s not going to do anything small. He’s going to do the Joker, because Murphy’s not going big and new, he’s going big and old. A deconstruction of the Joker and Batman’s rivalry. Complete with “Batman: The Animated Series”, Batman ’89, a Killing Joke reference, lots more. Maybe a Bat-Mite.
But it’s all modern with Murphy doing the TV talking heads arguing–a little a la Miller, but also just “cable news” and whatnot. He can’t write that scene. His fascist defender of Batman doesn’t have any arguments. So it’s not going to be perfect. Murphy’s hitting a lot of demographics, a lot of zeitgeist, and he’s got it pretty well balanced, but it’s extremely calculated.
And maybe there’s something to the concept–what if Batman’s actually just a fascist brute and the Joker gets cured and decides to save the world from him?
The art’s amazing. Murphy’s got a lot of Batman love on display, from Nightwing, Batgirl, Gordon, Bullock, whoever else. It’s going to be amusing for its details, beautiful for its art, and who knows what for Murphy’s big idea. I hope it stays afloat. The Joker’s whole backstory is already silly–he’s a Batman stan (stalker slash fan) who was a criminal to improve Bats’s crime-fighting.
Maybe it’ll pan out. Maybe it won’t. But it’ll have great art and fun references.
Writer and artist, Sean Murphy; colorist, Matt Hollingsworth; letterer, Todd Klein; editors, Maggie Howell and Mark Doyle; publisher, DC Comics.