Upon reading this issue of Doomsday Clock, which is regular length instead of extended like the first, I’ve decided I’m done. I don’t care about the identity of the new Rorschach. I don’t care how Rorschach gets on with Batman. Don’t care how Veidt gets on with Lex Luthor. Or why the Comedian’s back? Or did Dr. Manhattan create the DC Universe–Johns just integrates the big rumors about the series into the book. Why not. There’s nothing else to do.
The jumping off point isn’t the cliffhanger or the trip to Earth One. It’s Batman. It’s Bruce and Lucius Fox arguing over whether or not Batman is necessary. Maybe it’s in current DC continuity, I don’t know. Something about the Superman Theory, which I thought was the name of a bad comics convention bar band, but whatever. Don’t care.
Johns isn’t trying. He’s also got a gross sexist opening he can’t get away with because he’s Geoff Johns and craven and Gary Frank’s art lacks any subjectivity. It’s too objective for gross sexist bank managers. Frank’s art invites a lot of examination Johns’s writing really can’t support. Frank’s at least trying. Johns is not.
So. No more. Clock is stopped for me.
Unless the villain’s Labo at the end and Johns is daring the original creator to sue. But maybe not even then.
Places We Have Never Known; writer, Geoff Johns; artist, Gary Frank; colorist, Brad Anderson; letterer, Rob Leigh; editors, Amedeo Turturro and Brian Cunningham; publisher, DC Comics.