Infinity 8 is a joyful bit of European sci-fi comics “for beginners.” The pacing is very modern, the way writers Lewis Trondheim and Zep use dialogue, the way Dominique Bertail introduces new characters and does visual reveals–all very accessible. The design is similarly joyful (down to a smiley faced alien; a big one). It’s pleasant and it’s funny.
It’s also sexy and bloody. It’s gory. It’s a dangerous, disturbing gore but Bertail never breaks mood. It’s an uncaring universe, it just happens to be a preciously illustrated one.
The pacing is particularly phenomenal. Trondheim and Zep set up the protagonist–security agent Yoko Keren–in the first few pages; she’s looking for a mate (she wants a baby) and she can kick ass. None of her potential mates–at least to start–are human. Few are even humanoid. They all want to play baby daddy. It creates a very interesting dynamic.
And then the story moves on. Turns out there’s a very definite plot line, not just Keren’s life aboard ship. Trondheim and Zep do a first act, second act, third act, perfectly paced. And they come up with a fantastic cliffhanger–which they’d been gently foreshadowing for over half the issue; Infinity 8 is great.
Love and Mummies, Part One; writers, Lewis Trondheim and Zep; artist Dominique Bertail; publisher, Lion Forge Comics.