The Comics Fondle Podcast | Episode 45

Our second podcast for 2018!

Floppies – Terrifics, Doctor Star, Black Hammer, Gideon Falls, Punks not Dead, Kid Lobotomy, Assassinistas, Mister Miracle, Batman White Knight, Vampironica, Ruff and Reddy, Infinity 8, Dry County, Highest House, Vinegar Teeth, Spider King, Resident Alien, Evolution, Kong on Apes, Redneck, Dead Hand, Snagglepuss, I Hate Fairyland , Isola, War Stories, Thrawn, Damned, Lazarus, Barbarella.

Trades – Lone Sloane, X-Men Grand Design, Reefer Madness, Epic Collection Master of Kung Fu vol 1, Dave Sheridan’s Dealer McDope, Leather Nun, and Freak Bros, Aleck Sinner vol 2 The Age of Disenchantment.

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The Terrifics #3 (June 2018)

The Terrifics #3

The Terrifics #3 is completely false advertising. There’s nothing terrific in the comic at all. Certainly not the art; Joe Bennett and the three inkers have bad expressions and static figures. Not the characters. Plastic Man’s obnoxious, Mr. Terrific is a jerk, Sapphire Stagg is enabling her megalomaniac father, Simon Stagg is a megalomaniac, Metamorpho is dim; Phantom Girl is all right. The caveman is all right. Otherwise, no. And the writing isn’t terrific.

It’s kind of stunning how fast this book ran out of steam. Apparently all it had going for it was the promise of Tom Strong being integrated into the DCU. That promise isn’t worth sitting through the rest of the material.

The worst thing about the three different inkers–these aren’t terrible inkers either, at least two of the names are people who’ve worked on fine books (and I don’t recognize the third)–is there’s no visual continuity. There’s Bennett’s busy and visually uninviting composition and everyone looks a little bit different every few pages.

Terrifics has gotten to be anything but.

CREDITS

Meet the Terrifics, Part 3 of 3; writer, Jeff Lemire; penciller, Joe Bennett; inkers, Sandra Hope, Jaime Mendoza, and Art Thibert; colorist, Marcelo Maiolo; letterer, Tom Napolitano; editors, Andrew Marino and Paul Kaminski; publisher, DC Comics.

Evolution #6 (April 2018)

Evolution #6

And after its best issue, Evolution returns to its regular level. A little rushed–or, more accurately, a little abrupt–and all setup for something coming in a future issue. Delayed realization.

Once again, the art becomes the most important thing about the comic. Infurnari delivers, though it’s not a lot of interesting stuff. L.A. diners and New York hospitals are only so visually stimulating. The infected, evolved monsters are out of John Carpenter’s The Thing, which is fine–maybe they should’ve done a licensed title instead–but nothing new.

This issue has a big twist at the end involving the one doctor who knows what’s going on. He was previously the closest thing the comic had to a protagonist (unlike the other two plot lines, he gets two plots an issue–so maybe two writers too). It’s not a great twist. In fact, it’s one of those “do I still want to read this comic” twists.

CREDITS

Writers, James Asmus, Joseph Keatinge, Christopher Sebela, and Joshua Williamson; artist, Joe Infurnari; colorist, Jordan Boyd; letterer, Pat Brosseau; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.

Redneck #12 (April 2018)

Redneck #12

Redneck #12 is a great close to a somewhat uneven arc. Cates’s plotting on Redneck has always had its issues. He tends to rush things. This issue’s a mostly action issue, starting with the cops surrounding the vampire house (in Waco, of course).

Cates starts big and focuses in. He’s got a surprise in store; well, a couple of them, but the issue hinges entirely on one of them. Its successful execution makes everything else possible, including giving Estherren some great redneck vampire action to visualize.

It’d be nice if the book were a little more consistent, issue-to-issue, but Cates always seems to have the finale right. And even if he’s reliable in that regard, it’d still be nice for the arcs to read smoother.

But, as always, arc ends and I can’t wait for the next one to begin.

CREDITS

Writer, Donny Cates; artist, Lisandro Estherren; colorist, Dee Cunniffe; letterer, Joe Sabino; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.

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