Maestros #6 (May 2018)

Maestros #6

Two big surprises this issue. Not counting the little, almost expected double-crosses. No one is particularly nice in Maestros. Except Willy, his mom, and his girlfriend. The Devil’s daughter isn’t so bad either.

It’s the end of the universe, with Willy battling it out with the magical elf for the control of not just the universe, but creation itself. Lots and lots of magical action, all beautifully realized by Skroce. It’s a shame he couldn’t do more of the battle scenes, which are awesome when they’re the wizards, but even better when they’re the hordes. Maestros has such great design on its hordes.

The surprises both come at the end. First, it turns out this issue, #6, is the penultimate issue. Skroce’s had a very successful book to this point and all he’s got to do with the finale is wrap it together for a trade. He ought to be able to do it, based on how well he paces out the action and twists in this one.

Because there’s a big cliffhanger, brought on by the other big twist.

Maestros has been one hell of a book. Skroce’s done some excellent work.

CREDITS

Writer and artist, Steve Skroce; colorist, Dave Stewart; letterer, Fonografiks; publisher, Image Comics.

Punks Not Dead #4 (May 2018)

Punks Not Dead #4

The best part of this issue–which isn’t the best issue of the series so far, but pretty close–is the plotting. There’s a lot of humor with the federal agent ghost hunters and Sid and Fergie have a good adventure, but it all works because of the plotting. Barnett opens with a cliffhanging teaser, then goes into flashback and catches up.

There’s a lot going on–Fergie seems to have caused some kind of flash mob of seniors who can’t stop dancing, the feds are there, Fergie’s mom is sad, Sid’s not really being as helpful as he could be. Barnett and Simmonds make Punks Not Dead funny, weird, and dangerous. The danger is real. Even if it’s just the truth–Culpepper, the hilarious fed ghost hunter, has some truth and threatens to tell it.

It might change how the book reads, particularly in regards to Sid, and Barnett is real careful about how he plots out the teases. The tease has to be intriguing, dangerous, and still possibly not so terrible you can’t like Sid. You don’t want any evil from Sid.

Because Punks Not Dead is still going for fun. It’s a fun comic. Just wants some edge.

Simmonds does great the entire issue until the end, when he doesn’t seem to have enough pages to do the finale action right so he just skips it. A necessary reaction shot is missing.

It’s not a big deal. Nowhere near as big a deal as the cliffhanger, which promises new dangers for Sid and Fergie in the issues ahead. Hopefully Barnett can pull it off too, because it’s a doozy of a trope.

CREDITS

Keep the Faith; writer, David Barnett; artist, Martin Simmonds; colorist, Dee Cunniffe; letterer, Aditya Bidikar; editor, Shelly Bond; publisher, IDW Publishing.

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