Supergirl: Being Super 4 (August 2017)

Supergirl: Being Super #4

Tamaki brings Being Super to its finish with a packed final issue. Even with some actual dramatic action moments, she still isn’t able to recover the series–and the epilogues seem like there’s a dictated roadmap for any Super origin story, even if it’s Elseworlds-y like this one. Kara’s got a lot of first person narration, probably too much, but the issue gets some last issue leeway. And Jones has a great issue as far as the art goes.

It should’ve been a whole lot better though.

CREDITS

Who I Am.; writer, Mariko Tamaki; artist, Joëlle Jones; colorist, Kelly Fitzpatrick; letterer, Saida Temofonte; editors, Paul Kaminski and Andrew Marino; publisher, DC Comics.

Supergirl: Being Super 3 (June 2017)

Supergirl: Being Super #3

Being Super recovers with this issue. Not extraordinarily, but more than enough. Tamaki doesn’t go the obvious route–every time there’s a chance in the issue for something to go the obvious route, Tamaki takes a different turn. It works out pretty well, even if Kara’s a little longwinded in her observations of her life and newly remembered heritage. As always, nice art from Jones. Being Super’s probably not going to be earth-shattering (that ship has long sailed), but it should finish up nicely for a trade.

CREDITS

Who Are you?; writer, Mariko Tamaki; artist, Joëlle Jones; colorist, Kelly Fitzpatrick; letterer, Saida Temofonte; editors, Paul Kaminski and Andrew Marino; publisher, DC Comics.

Supergirl: Being Super 2 (April 2017)

Supergirl: Being Super #2

There’s something a little off about this issue. Tamaki does “teenage Kryptonian on Earth in hiding” action tragedy and kind of runs away from Kara. She’s in every scene–save the ominous teaser cliffhanger–but she’s not present. Tamaki is more comfortable writing her thinking about other people than herself. There’s still a lot of good stuff–and excellent art–but the script meanders and avoids.

CREDITS

Hold On!; writer, Mariko Tamaki; penciller, Joëlle Jones; inker, Sandu Florea; colorist, Kelly Fitzpatrick; letterer, Saida Temofonte; editors, Paul Kaminski and Andrew Marino; publisher, DC Comics.

Supergirl: Being Super 1 (February 2017)

Supergirl: Being Super #1

Being Super gets off to an excellent start. Mariko Tamaki’s script is slow to reveal the particulars of this version, instead focusing on the character experiencing high school and her sixteenth birthday. There’s also the great Joëlle Jones art and creates this wonderfully detailed Midvale high school world. It’s an awesome comic.

CREDITS

Where Do I Begin?; writer, Mariko Tamaki; penciller, Joëlle Jones; inker, Sandu Florea; colorist, Kelly Fitzpatrick; letterer, Saida Temofonte; editors, Paul Kaminski and Andrew Marino; publisher, DC Comics.

Wednesday Comics 12 (23 September 2009

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One should never hope for too much from finales. Especially not from an extremely uneven anthology series like Wednesday Comics.

Batman’s bad. Kamadi flops. Superman apparently only remembered after twelve installments he had a wife at home.

Deadman is okay. One of the better mediocre strips. Green Lantern is bad. Metamorpho is lacking; Gaiman tries too hard for nostalgia.

Teen Titans is awful, Adam Strange is great. Supergirl is cute again, but Metal Men goes out too dreary. I still have no idea what story Caldwell told with Wonder Woman.

Sgt. Rock’s lame again, but in a syrupy way now. Good Flash comic, though confusing, and an almost okay finish to The Demon and Catwoman. Hawkman is severely lacking too.

The winner of Wednesday Comics is easily Paul Pope for Adam Strange. The losers are just as easy–the inept team of Eddie Berganza and Sean Galloway for Teen Titans.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 11 (16 September 2009)

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Azzarello writes Batman as a rube while Risso tries to ape Sin City as a Batman. Gibbons once again summarizes the action too much on Kamandi. Sook’s barely got anything to do.

Superman is bad. As usual.

Deadman’s okay, Green Lantern’s awful. Ditto, respectively, for Metamorpho and Teen Titans. Hope respectively, in that sense, means Titans is the awful one.

Good (not great) Adam Strange. Poor (not terrible) Supergirl.

For the first time, Garcia-Lopez is too busy on Metal Men. All the large scale action hurts it. And Caldwell breaks out of his little panels for Wonder Woman. It’s a mistake.

Sgt. Rock is okay, The Flash is great. Demon and Catwoman sucks–it’s Simonson’s fault. Stelfreeze just doesn’t have anything good to draw.

Awesome Hawkman–the art’s astounding. Baker really outdoes himself.

Wednesday Comics is wrapping up. Shame most of the creators have no idea how to close.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 10 (9 September 2009)

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Batman versus dogs, Azzarello’s inspired and Risso can’t even draw a cool Batmobile. Kamandi comes back a little; there’s a big battle scene, lots of panels. Arcudi misses a great Superman: The Movie homage on his dumb Superman strip.

Deadman’s okay, though all the action seems inappropriate. Green Lantern is lame; Busiek doesn’t understand weekly one page pacing. Metamorpho is competent but lame. Teen Titans is awful. Galloway’s a terrible writer.

Pope’s Adam Strange rocks. He’s clearly wrapping it up. Supergirl’s weak again. Too much plot, not enough cute. The Metal Men has some great art and a touching final couple panels. The Wonder Woman is once again confusing but still good. Maybe Caldwell just needs more space to tell the story.

The Sgt. Rock is okay. Far better than the strip’s worst. Decent Flash; very sci-fi.

Predictably lousy Demon/Catwoman and great Hawkman.

Comics is almost over.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 9 (2 September 2009)

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The art on Batman’s good. Risso’s aping Frank Miller, but it’s a stylish fight regardless. Kamandi continues to have story problems and poor Sook has nothing active to draw. Crap Superman. Nice Deadman. It might be Comics’s underdog strip.

It’s the best Green Lantern, which says little for the strip. Metamorpho‘s periodic table gimmick is so tired in its second week, Gaiman’s even bored writing it. I think someone told Berganza he was writing a kids’ cartoon for Titans, not a comic strip.

Good Adam Strange. Pope hasn’t topped his Earthbound Adam development so it’s kind of underwhelming.

Lame Supergirl (too wordy), okay Metal Men. Wonder Woman’s fine, Sgt. Rock’s not awful.

Oh, The Flash. Fletcher and Kerschl homage various comic strips. It’s fantastic. Best thing this issue except Baker’s Hawkman versus T-Rex panel.

And The Demon/Catwoman is awful again. Its quality’s plummeted.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 8 (25 August 2009)

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Batman’s bad; Azzarello’s desperate to make it a noir and he just can’t. Kamandi’s mediocre. Still nice art but the story’s stalling. Superman has no story and is bad too. Deadman’s got some great art.

Oh, Green Lantern. It’s weak again. Metamorpho’s fun, with a periodic table gag, but there’s no story. Teen Titans is inexplicable and bad. Adam Strange is confusing and fantastic. Supergirl’s tiresome. Very nice art on Metal Men from Garcia-Lopez, even if Didio’s run out of character moments.

Wonder Woman’s nearly comprehensible, even if Caldwell wastes most of his page. Sgt. Rock’s lame but not bad, The Flash is good. Oh, The Demon and Catwoman. Stelfreeze is wasted on such big panels. His work looks better when it’s precise, not emboldened.

Baker’s got a neat Hawkman, spanning two or three genres. Interesting Batman rendering too.

Comics’s moving along.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 7 (19 August 2009)

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Batman is a little better than usual. Not the art, but at least Azzarello writes two scenes. On the flip, this Kamandi strip is probably the weakest. Still good, but pointless.

Superman’s crap, Deadman’s pretty but slight, the Green Lantern is pointless. The Metamorpho, however, is weird in a good way. Crappy Teen Titans, but amusing–Berganza says Starfire is almost seven feet tall, Galloway draws her shorter than Robin. Great Adam Strange. Pope has really made the strip his own thing. Supergirl–with the Aquaman guest appearance–is weak again.

The Metal Men strip is still charming, but it’s starting to drag on. There’s a bunch of stuff in Wonder Woman but I’m not sure I understand it. Caldwell writes a great Etta.

Sgt. Rock is a little better, The Flash’s interesting again. Demon/Catwoman is lacking.

Baker rips off Jurassic Park but Hawkman’s still wonderful.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 6 (12 August 2009)

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Let’s get started. Batman–Risso’s artwork is weak. It’s loose when it needs to be strong and vice versa. Fun Kamandi but Gibbons isn’t giving Sook enough room for the content. Superman’s the opposite. Too much room, too little content. Deadman’s mediocre, probably its worst strip (it’s a wee trite).

Green Lantern’s continuing to sink too. Busiek’s Hal is an unlikable narrator. Gaiman and Allred cheat on Metamorpho–half the page is a board game. It’s cute, but clearly there’s not much story.

Oh, Berganza’s Teen Titans. He gives Blue Beetle the internal monologue of the Taco Bell chihuahua. It’s offensive in addition to awful.

The Adam Strange is amazing. Bringing him back to Earth, Pope finds a great twist. The Supergirl’s weak (relying on Aquaman jokes). Metal Men’s good, Wonder Woman’s half-amazing, half-incomprehensible. Weak Rock, okay Flash, weak Demon, great Hawkman… Baker’s artwork is absolutely phenomenal here.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 5 (5 August 2009)

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Lame Batman, good Kamandi (Sook does a good Planet of the Apes), lame Superman (though Bermejo’s a little better), okay Deadman (one of the book’s steadiest strips), lame Green Lantern (after always being mediocre before)….

I’m trying something different since these comics usually provide so little to really talk about.

Metamorpho’s a little better, Teen Titans is a little worse. Great Adam Strange, just featuring Alanna. Pope gives her a nice strip to herself. And Supergirl’s turning into one of the better strips in the series overall. Palmiotti’s tone for it is perfect and Conner’s art is engaging. Another good Metal Men, another interesting and confusing Wonder Woman, another crappy Sgt. Rock. I wonder if Joe Kubert just wasn’t willing to draw very much.

The Flash is fine, ice art from Kerschl. The Demon and Catwoman is completely passable. Hawkman recovers too, great action page.

The quality’s plateaued.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 4 (29 July 2009)

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Baker gets awkwardly jokey on the Hawkman, which is otherwise all right. He’s got a great looking space battle involving the JLA satellite.

Speaking of art, Bermejo’s Superman is particularly awful this issue. He’s apparently incapable of drawing Ma Kent. He draws her for three or four panels, each worse than the last.

Metamorpho makes a slight recovery; at least Gaiman’s got actual panels and something of a narrative. It’s all a tease, but it’s better than it has been.

The most reliable strips are Pope’s Adam Strange, Bullock and Heuck’s Deadman (it’s never great, but always decent), Gibbons and Sook’s Kamandi and some others. Metal Men, by Didio and Garcia-Lopez, continues to impress. Didio really does fit in some good character dialogue, even with all the action.

Berganza and Galloway’s Teen Titans actually manages to be worse, which seems unimaginable.

The issue’s quality’s up. The strips are stabilizing.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 3 (22 July 2009)

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This issue has even less good strips than before. Sgt. Rock in particular falls off, with Joe Kubert’s art getting way too loose. Gaiman and Allred’s Metamorpho doesn’t recover either.

In other words, at issue three, Wednesday Comics is already downhill.

Azzarello and Risso’s Batman manages to be worse, as does Arcudi and Bermejo’s Superman. Kamadi by Gibbons and Sook, however, is awesome. It’s perfect as a comic strip.

Nice Adam Strange by Pope, nice Metal Men by Didio and Garcia-Lopez. Jimmy Palmiotti and Amanda Conner’s Supergirl is rather cute; being well-intentioned and competent compensates for its lack of ambition.

Sadly, Kerschl and Fletcher’s Flash falters. They concentrate on a dramatic cliffhanger instead of an amusing one.

Kyle Baker quizzically turns his Hawkman into an “aliens were behind 9/11” thing. I hope that theme doesn’t stick.

The issue’s tiresome. The standouts don’t make up for the failures.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorists, Jose Villarrubia and Lovern Kindzierski. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 2 (15 July 2009)

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So even some of the better ones from the previous issue are losers this week. Specifically Neil Gaiman and Mike Allred’s Metamorpho. They flop on the format.

Still strong are Pope’s Adam Strange, Baker’s Hawkman, Dan Didio and Jose Luís Garcia-Lopez’s Metal Men (no, really) and Catwoman by Walt Simonson and Brian Stelfreeze. Oh, and Kamandi by Dave Gibbons and Ryan Sook. The biggest surprise has got to be The Flash from Brendan Fletcher and Karl Kerschl. They split it between Iris and Barry and have a very unexpected, but fun, twist.

Deadman, from Vinton Heuck and Dave Bullock, is another nice one.

The lousy ones remain lousy (or worse). Azzarello and Risso’s Batman stinks; Risso’s art wastes the large size. Arcudi and Bermejo’s Superman is probably worse, just because it’s so poorly written. Berganza and Galloway’s Teen Titans has to be the worst one overall.

Another mixed bag.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 1 (8 July 2009)

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Wednesday Comics really needs a stronger editorial hand. While some of the creators get the concept, others completely fumble it. The successes (and the mediocrities) make up for the bad patches.

In the “no idea how to do the format” section, the issue has Brian Azzarello and Eduardo Risso on Batman, John Arcudi and Lee Bermejo on Superman (thumbs down to Bermejo’s interpretation too), Eddie Berganza and Sean Galloway on Teen Titans (Galloway’s art is atrocious) and the Kuberts on Sgt. Rock. At least the art’s good on Rock from Joe.

The best entries are–no shock–Paul Pope and Kyle Baker’s. Pope does Adam Strange, Baker Hawkman. They both gleefully approach the newspaper sized medium, pacing their entries differently–though most of the better stories don’t spend this page setting up a plot. The worst ones do.

The issue’s interesting, but barely half successful. There are some real stinkers.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Supergirl 3 (January 2012)

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Green and Johnson give Supergirl a Lex Luthor knock-off this issue–he lures her in, runs tests on her… Seems very familiar. Oh, like Action Comics last month.

It’s unclear why they need a Lex Luthor stand-in, except to make a dig at the U.S. over the lack of a space program.

The issue’s sadly stupid. Superman leaves Supergirl to her own devices (he’s got to help somebody) and Lex Jr. speaks to her as a hologram. In English, so she doesn’t understand, which creates some of the issue’s problems. It’s not a bad plot for an issue, it’s just a poorly written comic book.

And the art’s not up to par either. It’s unclear what, if anything, new inker Bill Reinhold does to Asrar’s pencils because the issue looks like nothing but pencils. Maybe faded ones, but sketchy pencils.

Just when things were looking up, Supergirl drops.

CREDITS

Reunion; writers, Michael Green and Mike Johnson; penciller, Mahmud Asrar; inker, Bill Reinhold; colorist, Paul Mounts; letterer, Rob Leigh; editors, Matt Idelson and Wil Moss; publisher, DC Comics.

Supergirl 2 (December 2011)

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Oh, I’m going to regret saying it… but this issue of Supergirl isn’t bad. If it weren’t for some of the art issues, it might even be good.

It’s an all-action issue (again), with Kara and Clark fighting it out over Russia and China. The location makes it a novel idea, but there’s also all this talking, with Clark trying to calm her down and whatnot.

And in those moments, Asrar and Green (and colorist Dave McCaig, can’t forget him here), make this great Supergirl comic. Sure, her costume is still moronic. Asrar doesn’t objectify her, but her costume does? It doesn’t make any sense conceptually and it’s visually confused.

But Asrar’s Superman is awful. Superman looks about fourteen and bears a striking resemblance to “Alfalfa” Switzer. The bad Superman does these moments in.

Green and Johnson actually pleasantly surprised me. I was dreading this issue, but it’s fine.

CREDITS

Reunion; writers, Michael Green and Mike Johnson; penciller, Mahmud Asrar; inker, Dan Green; colorist, Dave McCaig; letterer, John J. Hill; editors, Matt Idelson and Wil Moss; publisher, DC Comics.

Supergirl 1 (November 2011)

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Relaunching Supergirl when Superman’s not even established seems thoughtless. Thank goodness writers Michael Green and Mike Johnson are so dull they don’t even engage that question.

Their take on Supergirl is she’s a dumb teenage girl. If they made her like Paris Hilton–someone who turned herself into a brand–it might be interesting. Instead, she’s just a dumb girl.

They do, however, lift moments from Supreme Power and Red Son; their lack of ingenuity is universal, not just Kara.

DC should have hired a female writer. Or at least hired a guy with a teenage daughter. Green and Johnston’s insight into the female condition isn’t laughable. It would need to exist to be laughable.

Mahmud Asrar’s art is actually pretty good. There’s no reasonable explanation for Supergirl to dress like a hooker out of Blade Runner (except DC likes objectifying teenage girls). But Asrar probably didn’t do the redesign….

CREDITS

Last Daughter of Krypton; writers, Michael Green and Mike Johnson; penciller, Mahmud Asrar; inkers, Dan Green and Asrar; colorist, Dave McCaig; letterer, John J. Hill; editors, Matt Idelson and Wil Moss; publisher, DC Comics.

Supergirl 59 (February 2011)

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All writers have limits… and it’s too bad Gates’s limit is writing Cat Grant as a likable human being. He just can’t do it. He tries and tries here, but he ends up making Superwoman more likable than Cat. It’s a strange disconnect. There’s just something so hateful about her, he’s gone beyond a point where he can even bring a glimmer of humanity to her.

That statement made, it’s a wonderful issue. It’s a Christmas issue, ending up in Smallville (it’s hard to tell Kara’s supposed to be the one in the glasses—I thought they were still drawing Ma Kent with blonde hair or something). Gates and Igle get in the action, they get in some drama….

They wrap things up beautifully (it’s their last issue). It’s really too bad they didn’t get a chance to do the comic, instead getting stuck with crossover tripe.

Still, lovely work.

CREDITS

Day of the Dollmaker, Part Two: End of the Line; writer, Sterling Gates; penciller, Jamal Igle; inkers, Jon Sibal and Robin Riggs; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 58 (January 2011)

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Gates really humanizes Cat Grant here (I didn’t know she had a dead son, for example) and it comes a little late. If he’d done it earlier, she wouldn’t have seemed so shrill. Besides that delay in characterizing, it’s a good issue.

Igle does a great job with Supergirl, as usual, but something about his approach is a little different. This issue is the first in forever not to be laden with New Krypton scenery or props; it gives Igle a chance just to do the superhero stuff and he does it really well.

Gates’s pacing is a little off too, I suppose. He’s going for dramatic emphasis more than content.

Oh, now I remember how this issue ends… with Lois going to visit her psychopathic sister. It’s undoubtedly a setup for something, but it takes the issue away from Supergirl and Cat.

Regardless, it’s a good little Christmas issue.

CREDITS

Day of the Dollmaker, Part One: Toying With Emotions; writer, Sterling Gates; penciller, Jamal Igle; inker, Jon Sibal; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl Annual 2 (December 2010)

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For the annual, Gates sends Supergirl to the future. The whole new Legion of Super-Heroes continuity is incredibly difficult to understand. Every time they guest in a book, I get even more confused. But Gates does a good job doing a done-in-one adventure. The story moves, has a lot of scenes, and has Supergirl and Brainiac 5’s relationship develop a little.

What’s bad is Matt Camp’s art. He draws everyone like they’re twelve—making the Supergirl kisses Brainiac 5 scene a little confusing—and it draws attention to things one shouldn’t be minding.

There’s some fill-in work from Marco Rudy and Rudy looks a little like Chris Samnee (though nowhere near as good) and those pages work really well. He draws the cast like people, not these weirdos with too young heads and too mature bodies.

It’s nice Gates can competently do this continuity nonsense.

CREDITS

Supergirl & the Legion of Super-Heroes; writer, Sterling Gates; artists, Matt Camp and Marco Rudy; colorists, Blond and Brad Anderson; letterer, Steve Wands; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 57 (December 2010)

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Thank goodness for the colorist because without him, you wouldn’t be able to tell who Chang was drawing as a Bizarro or as a non-Bizarro.

Chang actually manages to draw Supergirl okay (too lanky to be slutty even), but everything else is a bit of a disaster. His art lacks dimension, which messes up his proportions eventually.

Again, Gates uses the events on Bizarro world to make Supergirl feel okay about herself and the New Krypton thing, but here it works a little better. Maybe because he’s got an actual relatable event, maybe just because he really does make all the Bizarros sympathetic. Bizarro-Girl is such a good character by the end, she’s ready for a limited series of her own.

The issue has an epilogue back on Earth, teasing about the revenge of Cat Grant. It’s a necessary addition, but it still damages the momentum.

Otherwise, fantastic.

CREDITS

This am the Way the (Bizarro) World Ends; writer, Sterling Gates; artist, Bernard Chang; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 56 (November 2010)

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It’s amazing how much I enjoy Supergirl even though the issues read so fast. Gates never leaves the Bizzaro planet this issue either, so there’s no subplot development.

It does open a little weak, with Supergirl telling the unconscious Bizarro-Girl helping her will be a cathartic experience (not in those exact words, but close enough). Gates doesn’t know how to do subtle self-reflection. It’s not a superhero comic standard for a reason—there just isn’t room for it.

But once Supergirl and Bizzaro-Girl land, the issue just gets excellent. There’s space bugs, the DC version of Galactus (oh, wait, didn’t he have bugs in Ultimate Nightmare?) and Bizarro. Gates takes the reader on an abbreviated tour of the planet and its population, which is just a lot of fun (even though some of them don’t make it). It’s strangely good-natured.

And Igle’s art is rather excellent.

CREDITS

Mad World; writer, Sterling Gates; penciller, Jamal Igle; inker, Jon Sibal; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 55 (October 2010)

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Another very fast read, but it goes very smoothly.

Gates resolves his cliffhanger pretty quickly—all while developing the Bizzaro-Girl character into a sympathetic character (some via flashbacks to her origin on the Bizzaro planet). Supergirl, of course, is the only one who can see her as a misunderstood creature and not a monster.But Gates also has time to bring in a second action sequence, handle some stuff at the Planet (Cat Grant has some subplot of her own going, in addition to the Lana discovery) and then come up with another end sequence.

It’s an excellent issue, the kind of thing one wishes Gates and Igle had been doing all along. It doesn’t develop Supergirl as a character very much, but it is a solidly diverting superhero comic. And it’s not making Supergirl slutty.

Igle has a great time with the art too; he’s got lots of variety.

CREDITS

Fakeouts; writer, Sterling Gates; penciller, Jamal Igle; inkers, John Dell, Marc Deering and Richard Friend; colorists, Jamie Grant and Jim Devlin; letterer, Jared K. Fletcher; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 54 (September 2010)

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Besides one glaring problem (implying there’s a supernatural pedophile out there posing as a Metropolis cop and kidnapping kids), this issue of Supergirl is a great read. It’s a fast read too—really fast, but it all works.

Well, wait… more Cat Grant lameness as she discovers Supergirl and Lana’s relationship/ DC’s unable to produce good new villains.

The issue opens with Jimmy Olsen discovering Bizarro-Girl in a good sequence (so good Gates should do an Olsen series of some kind) then finds Kara (or Linda) moping while Metropolis gets destroyed. Lana has to call her up to motivate her and the scene works well enough. Gates is able to pull it off because the reader wants to see Supergirl in action, not moping. So he gets some slack.

Then there’s a strange one page panel where she pauses to enjoy flying before saving the city.

But, otherwise, great.

CREDITS

Looking Glass; writer, Sterling Gates; penciller, Jamal Igle; inker, Jon Sibal; colorist, Jamie Grant; letterer, Jared K. Fletcher; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 53 (August 2010)

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It’s an issue of Supergirl without a bunch of crossover stuff? I mean, there’s still some crossover stuff (and apparently they’re keeping Lucy Lane alive because Superwoman’s just a great villain… eye-roll) but it’s mostly just Lana and Kara talking. Wait, Linda. She wants to be Linda Lang now.

I had to go read up on Wikipedia how the “New Krypton” thing finished up. It’s surprising, with such an iconic cover, the series is totally unconcerned with picking up new readers.

There’s some good stuff between Linda and Lana, but Gates can’t keep it up when he’s got Linda refusing to help people as Supergirl. It’s just too contrived, too forced.

As for his small Metropolis (Dr. Light is testing Superwoman, then goes and discovers the mystery villain), it doesn’t work either. Gates brings charm to Supergirl, but he doesn’t bring charm to the DC Universe as a whole.

CREDITS

Fallout; writer, Sterling Gates; penciller, Jamal Igle; inker, Jon Sibal; colorist, Nei Ruffino; letterer, Jared K. Fletcher; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 52 (June 2010)

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I didn’t read the previous issue in the crossover—even though the notice tells the reader to stop and go read it first (I figured that issue would instruct me to read something else and I can only handle so much of this inane crossover).

Let’s see… from here I can tell all three villains from Superman II are back (new costumes, of course), Lex Luthor is betraying Brainiac (shocker) and Supergirl and Brainiac 5 got together some time in the future. Or the past. I never finished reading that Supergirl and the Legion of Super-Heroes book; I’m unsure if it’s in continuity.

Gates tries really hard for his flirting between Supergirl and Brainiac 5 and it’s just a complete disaster. All of it’s in narration boxes, which is a terrible idea.

Rodriguez’s art is generally decent, if too polished. He also draws an inappropriately short skirt on Supergirl.

CREDITS

Last Stand of New Krypton, Part Seven: Distractions; writer, Sterling Gates; artist, Ivan Rodriguez; colorists, Nei Ruffino and Zaratus; letterer, Jared K. Fletcher; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl 51 (May 2010)

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Poor, poor Supergirl. Once again, trapped in a crossover she didn’t make, she takes a back seat to Mon-El, the Legion of Super-Heroes (wait, Mon-El’s in the Legion, right… well, he’s not with them this issue), her mother, General Zod and some cute little Kryptonian girl.

Igle gets to do an action issue, which he handles well. He gets to do some iconic panels too and he likes those… shame they are only occasionally Supergirl-related.

Very little actually happens in the issue, which is probably editorially mandated. It goes… fight scene, fight scene, talking scene, fight scene, talking scene, talking scene.

I made that list from memory, but I think it’s accurate.

Gates also doesn’t sell the silly plot points, like when Supergirl momentarily thinks Superboy is trying to kill her mother or something.

And Supergirl’s mother’s a dimwit for not realizing Zod is a bad guy.

CREDITS

Last Stand of New Krypton, Part Two: Leaders; writer, Sterling Gates; penciller, Jamal Igle; inkers, Marc Deering and Jon Sibal; colorists, Steve Buccellato, Javier Mena and Tom Chu; letterer, Jared K. Fletcher; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

Supergirl Annual 1 (November 2009)

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Dagnino’s art isn’t bad–in fact it’s good a lot of the time–but why does he draw Lana Lang like she’s about thirteen years old? She looks the same age as Kara or younger.

Gates tries to come up with an affecting story but it’s pretty pat. Supergirl foils a bank robbery and inadvertently outs some Kryptonians living on Earth.

The most striking thing about the story is how weak the Kryptonian’s argument is when she’s berating Supergirl. It’s a competently told, but utterly pointless tale. Dagnino’s handling of the bank robbery has some great panels though.

Then there’s Lucy Lane’s origin story. Gates writes it from her perspective, so it’s interesting to see him try to make an evil narrator compelling. He fails. It’s way too clear she’s a nutjob throughout. Again, Dagnino’s artwork is fine (Lucy doesn’t look thirteen).

Regardless, the issue is a waste of time.

CREDITS

Secret Identities. Second Born: The Secret Origin of Superwoman. Writer, Sterling Gates; penciller, Fernando Dagnino; inker, Raúl Fernandez; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.

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