The Spider King #3 (April 2018)

The Spider King #3

The first bit of the comic, when the capable princess meets up with the doofus king, is the best Spider King has ever been. There’s a rhythm to the interactions; you want to spend time with these characters. They’re distinct for a moment.

Then the princess goes on her way to assassinate the bad guy while the doofus king plans on a frontal assault or something. Doesn’t matter. It’s a bad idea, whatever it is, because he’s a doofus.

The art also feels very small this issue. Panels are smaller, D’Armini is cramped. There’s also a lot of stylistic night time action scenes and it looks very much like it’d be better in black and white. Adrian Bloch’s night time colors overwhelm the art.

Spider King #3 starts as the best issue of the series. It ends as more of the same, maybe worse. Vann can’t write evil spider king dialogue as it turns out. The Spider King is just a Bond villain, blathering on and on. And the strange design work on the infected soldiers–they’re bloated and without distinguishing features–is kind of gross but mostly kind of uninteresting.

CREDITS

Kjartandottir; writer, Josh Vann; artist, Simone D’Armini; colorist, Adrian Bloch; letterer, Nic J Shaw; editors, Chas! Pangburn and Sarah Gaydos; publisher, IDW Publishing.</p

The Spider King #2 (March 2018)

The Spider King #2

Yep, I’ll bet Spider King reads better in one sitting.

This issue has the goofy ball underdog king getting his hands on an alien arsenal. There’s an alien around, but he’s not mean. He’s cute, in fact, and utterly unimpressed with the Vikings’ intelligence.

There’s a little with the evil uncle melding with the evil alien. Some real cool art from D’Armini on those pages. The comic slows down for a second and demands your attention to its detail. Then it speeds back up, with the Viking princess finding an arsenal of her own and a kid for a sidekick.

They get arrows whereas King Goofball gets swords and other types of weapons. Ones he and his clan members can’t really figure out how to use. Not good since there are now bad aliens hunting them. These bad aliens look different from the cute alien and the evil alien, who are at least both blue and somewhat similar.

Good art, okay script, way too fast of a pace.

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CREDITS

The Treasures of Valhalla; writer, Josh Vann; artist, Simone D’Armini; colorist, Adrian Bloch; letterer, Nic J Shaw; editors, Chas! Pangburn and Sarah Gaydos; publisher, IDW Publishing.</p

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