Evolution #2 (December 2017)

Evolution #2

Evolution reads like a novel. Or it doesn’t. Then it does again. Then it doesn’t. The comic makes the four different writes working on different things–presumably, I still haven’t read the back matter, but there are four different plot threads going. Anyway, sometimes there’s rhythm between the writers. Sometimes there’s none. This one time there’s terrible expository dialogue, while the rest of the book is fine.

Well. Wait. The last scene has the doctor who knows evolution is happening really fast all of a sudden narrating to his journal. It’s kind of obnoxious, especially since he was part of the talky expository dialogue sequence. So whoever writes that one needs a little more editing.

But… that writer also got to do the evolved monster people are congregating in groups in something with micro-face tentacles. Kind of like The Thing but more gross. Infurnari has this beautiful way of doing gross as horror. It’s scary to look at the gross, which makes it more visually compelling.

Evolution is still solid. It’s impressive what they’ve done, four separate writers and all, but the editing could be a little tighter. Not just in the dialogue; the comic still hasn’t found a rhythm. Though it might take a while with all those different writers.

CREDITS

Writers, James Asmus, Joseph Keatinge, Christopher Sebela, and Joshua Williamson; artist, Joe Infurnari; colorist, Jordan Boyd; letterer, Pat Brosseau; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.

Evolution 1 (November 2017)

Evolution #1

Evolution is an end of the world (as we know it) story. It’s happening all over the world, though with a predominately American bent. People are turning into monsters, but not mean monsters, just monstrosities. Because it turns out lots of people are evolving rather quickly and it’s happening all over and only one man can stop it.

Well, one man, a nun, and two twentysomething women who happen upon it.

Evolution has four writers and one artist. There’s back matter, which I haven’t read, and it might delineate who is writing what. I prefer not to know. I want to see how it all fits together. Is consistent art enough?

So far it seems like yes. In fact, so far, Evolution seems like a fine exercise in collaboration. It’s not an anthology. In fact, an anthology might have more similarities between stories–besides the overarching threat, the plotlines have little in common.

Other than Joe Infurnari’s horrific art. Horrific in a good way. It’d be in an even better way without Jordan Boyd’s colors (Image had a black and white sample version and the art’s much better without the distraction).

Anyway. Good stuff.

CREDITS

Writers, James Asmus, Joseph Keatinge, Christopher Sebela, and Joshua Williamson; artist, Joe Infurnari; colorist, Jordan Boyd; letterer, Pat Brosseau; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.

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