Evolution 1 (November 2017)

Evolution #1

Evolution is an end of the world (as we know it) story. It’s happening all over the world, though with a predominately American bent. People are turning into monsters, but not mean monsters, just monstrosities. Because it turns out lots of people are evolving rather quickly and it’s happening all over and only one man can stop it.

Well, one man, a nun, and two twentysomething women who happen upon it.

Evolution has four writers and one artist. There’s back matter, which I haven’t read, and it might delineate who is writing what. I prefer not to know. I want to see how it all fits together. Is consistent art enough?

So far it seems like yes. In fact, so far, Evolution seems like a fine exercise in collaboration. It’s not an anthology. In fact, an anthology might have more similarities between stories–besides the overarching threat, the plotlines have little in common.

Other than Joe Infurnari’s horrific art. Horrific in a good way. It’d be in an even better way without Jordan Boyd’s colors (Image had a black and white sample version and the art’s much better without the distraction).

Anyway. Good stuff.

CREDITS

Writers, James Asmus, Joseph Keatinge, Christopher Sebela, and Joshua Williamson; artist, Joe Infurnari; colorist, Jordan Boyd; letterer, Pat Brosseau; editors, Arielle Basich and Jon Moisan; publisher, Image Comics.

Shutter 1 (April 2014)

Shutter #1

Shutter needs to take a breath. Between Leila Del Duca’s frantic, detailed art and Joe Keatinge’s hip, artificial plotting and dialogue, it’s an adventure comic without any sense of adventure. When the lead complains life is boring, even though there are mythical creatures living among humans and some kind of futuristic steampunk thing going on… it makes sense. Shutter is actually pretty boring so why wouldn’t the protagonist be bored too.

It’s odd in some ways too how Keatinge pays lip service to it being post-gender–the lead follows in her father’s footsteps, who follows in his mother’s, etc–but then his details for the protagonist are generic single woman stuff.

More odd is the first backup–there are two, neither good, but the first one opens with the mother of all curse words. After a very YA appropriate feature. Guess they don’t actually want crossover audience.

Shutter misfires.

C- 

CREDITS

Writer, Joe Keatinge; artist, Leila Del Duca; colorist, Owen Gieni; letterer, Ed Brisson. Mungore; writer and artist, Ryan Alexander-Tanner; colorist, Catherine Peach. Tiger Lawyer, Sidebar; writer, Ryan Ferrier; artist, Felipe Torrent. Publisher, Image Comics.

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