The Maze Agency 19 (March 1991)

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Barr tries to do something really big with Gabe and Jen this issue in their personal life. He sort of hints at it throughout, then reveals it in the finale. It’s not much of a development as Barr seems to be forcing it to fit the Christmas theme.

The mystery this issue is fairly lame. There’s an association of amateur private detectives and they hire Gabe, Jen and Jen’s rival to solve some year old murder. The investigation of the actual crime–being a year late–is weak. Worse, Barr focuses on the rivalry between Jen and her rival more than the case. Maybe he knew it was weak too.

Rob Davis’s pencils are particularly tepid. He does take the time to make sure Jen’s got an upset expression when her rival’s around, but there’s nothing else to it.

The comic feels tired. Not exhausted, run out. Barr’s on empty.

CREDITS

The Adventure of the Mystery League; writer, Mike W. Barr; penciller, Rob Davis; inker, John Tighe; colorists, Susan Glod and Michelle Basil; letterer, Vickie Williams; editor, David Campiti; publisher, Innovation Publishing.

The Maze Agency 18 (February 1991)

275583

Scott Clark has the most ambitious layouts of a Maze artist for a long time. There are all these different little sequences, sometimes only taking a half page, where he crams in visual information and sometimes important scenes.

It’s a shame he doesn’t draw better, or have a better inker than John Tighe. Forget people not looking alike, there are some panels where entire noses disappear. But there are a few good panels, which makes one wonder if Clark didn’t put in the time.

The mystery’s strong; Barr has some good twists. The major one is how none of the suspects really suspicious. Instead, they’re all bland suspects without much motive to misdirect. Kind of. At one point I didn’t even think anyone involved had committed the crime, like Barr would bring in some surprise guest.

It’s a reasonably successful issue, with Barr ignoring his tepid subplots for the regular cast.

CREDITS

This Murder Comes to You Live; writer, Mike W. Barr; penciller, Scott Clark; inker, John Tighe; colorist, Susan Glod; letterer, Vickie Williams; editor, David Campiti; publisher, Innovation Publishing.

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