Jessica Jones 4 (March 2017)

Jessica Jones #4

Someone’s killing capes. It’s good to see Bendis is as original as always. Besides an annoying talking heads sequence with Captain Marvel, this issue is probably the best one so far. Well, except the scene with Misty and Luke Cage talking about Jessica, that one was just cheap. I guess the last scene is okay. You know, wait–the more I think about the comic, the worse it seems.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 3 (February 2017)

Jessica Jones #3

It’s another non-starter for Jones. No “case” either, which makes the promotional materials referring to each issue as a case more annoying. Lots of boring talking heads with occasional PG–13 curse words. Bendis’s big reveal is weak, the art is boring (not Gaydos’s fault though).

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 2 (January 2017)

Jessica Jones #2

It’s an entertaining issue, with some rather good Gaydos artwork, but Bendis is covering a lot of the ground situation as revelations to cover up for the narrative failings. Jessica Jones doesn’t have its own tone. Alias: The Sequel it’s not, but it’s nothing else yet either.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 1 (December 2016)

Jessica Jones #1

I loved Alias, I really did. I can’t even bring myself to read the trades again. I even have the hardcovers. Loved that comic. I didn’t realize Jessica Jones was going to be Bendis and Gaydos, I thought just Bendis. Jessica Jones is like a remake of Alias, only without the shock value, without the intrigue, with some superhero soap opera thrown in. Reading it, I had to remind myself the comic doesn’t do done-in-ones, so not to expect too much.

Overall, it’s better than expected, but Bendis is treating Jessica like the subject of the comic not the protagonist. He’s got cameos from Misty Knight and Jessica Drew and the latest crop of New York heroes. Because New York is back–Gaydos’s New York from the regular people’s perspective, that amazing thing he does with it. And it’s cool. It’d be better if Jessica were a stronger character, it’d be better if the mystery were actually engaging, it’d be better if it didn’t rely so heavily on Jessica’s post-Alias backstory. I can’t believe Bendis expects the reader to keep up with it all.

Will Jessica Jones get to Alias-levels of quality? Nope. Will it get better if Bendis has enough time to get through setting up his elaborately deceptive ground situation? Probably. It’ll have Gaydos art and the art is almost worth the price of admission alone.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

The Black Hood 1 (April 2015)

The Black Hood #1

Michael Gaydos is the wrong guy for The Black Hood, just because he’s so perfectly the “right guy” for it. The series is Archie Comics’s attempt to do something knew with their superhero properties (they’ve been trying to do something with them for a couple decades now). Duane Swierczynski writes a tough story, Gaydos does tough art. It’s all realistic, set it modern Philadelphia, very depressing.

So why’s Gaydos wrong? Because he doesn’t bring anything to the comic. Swierczynski doesn’t have an appealing protagonist or a compelling setup–a cop gets injured (and disfigured); he eventually gets hooked on painkillers and then assumes the identity of the Black Hood, a vigilante he himself killed in the incident where he got disfigured.

It’s all so clean it’s pointless. Swierczynski is going through the motions; make this comic tough. Gaydos is doing the same thing.

Whether it’s tough isn’t important at all.

CREDITS

The Bullet’s Kiss, Part One; writer, Duane Swierczynski; artist, Michael Gaydos; colorist, Kelly Fitzpatrick; letterer, Rachel Deering; editors, Vincent Lovallo, Paul Kaminsky and Alex Segura; publisher, Archie Comics.

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