Tag: Rafael Kayanan

The Fury of Firestorm, The Nuclear Man Annual 3 (November 1985)

The Fury of Firestorm, The Nuclear Man Annual #3

Akin and Garvey’s inks are a little better this issue. Not much, but a little. There are a lot of action sequences and most of them come off well, as does Firestorm’s trip to the sun. Martin has some theories about their powers and wants to investigate; for a moment, Firestorm feels like sci-fi and it works better for it. Conway’s engaged and imaginative.

The main story of the issue, however, just gives Kayanan an excuse to draw elaborate fight sequences in Miami. They’re fine, they’re just pointless. Ronnie and Martin get involved because they see it on TV. And Conway wastes a lot of time setting up the characters for this pointless excursion.

Well, it’s an annual so I guess it’s the special element to the issue.

The rest–Martin’s going away party at work, Ronnie’s father’s awful girlfriend–is the regular series stuff; sadly, Conway short-changes them on page time.

B- 

CREDITS

Sparx; writer, Gerry Conway; penciller, Rafael Kayanan; inkers, Ian Akin and Brian Garvey; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 44 (February 1986)

The Fury of Firestorm, The Nuclear Man #44

It’s Conway’s most ambitious issue in a long time. The first third of the issue is Firestorm versus a natural disaster–a freak tornado in Pittsburgh. Of course, Typhoon is creating the tornado to draw Firestorm out, but Firestorm doesn’t know it. Conway does a lot with the narration and the trying to use it to pace the scenes.

It doesn’t work, but it’s ambitious. Maybe if the art were better. Machlan’s inks are a mess this issue. They’re better in the superhero part, but still a mess.

The second part of the issue is Ronnie and Martin’s adventures at school. It’s just a regular day–they’re worried they can’t turn back into Firestorm but it’s barely a plot point. It’s all character development; if it weren’t for the dumb high school nemesis, it might work out.

Meanwhile, there’s the villain storyline, which Conway also handles ambitiously.

It’s decent enough.

B- 

CREDITS

An East Wind Blowing; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Mike Machlan; colorist, Nansi Hoolahan; letterer, Carrie Spiegle; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 43 (January 1986)

The Fury of Firestorm, The Nuclear Man #43

What is it about Kayanan? Why does he never gets the right inker on Firestorm? Mike Machlan is better than the last couple guys, but still not great. For a lot of the pages, Kayanan seems to avoid a lot of close-ups because Machlan butchers the faces.

The story has Ronnie and Martin at college, with Ronnie adjusting to college freshman life and Martin's thought balloons covering his unease as a new professor. He doesn't really get a story, however. And Conway gives Ronnie too much. Between football tryouts, which Kayanan doesn't break out well, his girlfriend and his high school nemesis plotting his downfall… it's too much. What's really bad is how ineffectual the girlfriend is as a character; Conway basically reinvents her every seven issues.

The other plot–villain Typhoon's return–as awkward. Conway wants him to be both dangerous and sympathetic, but goes to far in the first direction.

B- 

CREDITS

Night of Tears, Sky of Sorrow; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Mike Machlan; colorist, Nansi Hoolahan; letterer, Carrie Spiegle; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 42 (November 1985)

The Fury of Firestorm, The Nuclear Man #42

It’s a thoroughly decent Crisis crossover. Firehawk and Wonder Girl are trying to find loved ones in New York and they run into all sorts of problems since New York City is split between different eras.

Akin and Garvey don’t do great on the inks but they do better than they ever have before. The people’s faces don’t look two dimensional anymore. The action stuff is good and Kayanan breaks out a very nice flying sequence.

Eventually there’s a Tomahawk guest appearance when they find themselves in colonial America Manhattan. There’s some adventure with Firehawk and Wonder Girl helping the troops against the British. Conway presents both time periods well; when they go to colonial time, it feels like they’re guesting in a Tomahawk story.

There’s a big narration thing from Firehawk about her embracing life as a superhero. It’s not great, but it’s serviceable. It’s a crossover after all.

B- 

CREDITS

A Long Night’s Journey Into Day; writer, Gerry Conway; penciller, Rafael Kayanan; inkers, Ian Akin and Brian Garvey; colorist, Nansi Hoolahan; letterer, Carrie Spiegle; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 41 (November 1985)

The Fury of Firestorm, The Nuclear Man #41

The issue is simultaneously likable and shallow. The first half has Firestorm moving the Pittsburgh and Conway introducing the new supporting cast on the book. Conway gives Martin a whole new supporting cast of colleagues and teaching assistants, while Ronnie has his cast held over. His high school girlfriend, his high school rival. The former works out but the latter feels way too forced.

Speaking of forced, the second half of the issue is the Crisis tie-in and Conway is rapidly cycling in place. Firestorm goes a little kooky because of Psycho Pirate and Harbinger has to calm him down. So what? And it’s the finish of the issue too. There’s not just no more character stuff with the supporting cast, there’s no character stuff with Firestorm.

Ah, tie-ins.

Akin and Garvey’s inks are a little better than usual. Some of the panels are excellent; Kayanan’s composition shines.

B- 

CREDITS

Storm Warning; writer, Gerry Conway; penciller, Rafael Kayanan; inkers, Ian Akin and Brian Garvey; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 39 (September 1985)

The Fury of Firestorm, The Nuclear Man #39

Even though Conway tries a few things, the issue doesn't work out well. He's got both Martin and Ronnie playing detective, with a transformation into Firestorm a way for them to get out of trouble. It's lazy though–turning into a superhero when the detecting gets too dangerous.

And then there's Martin's love interest for the issue. Just when she starts to make an impression, Conway exits her from the issue and returns to the lame villain, the Weasel. The reveal on him is underdone, maybe because of space, maybe because not even Conway is interested.

There's a lot of Pittsburgh landmark minutiae, which makes little sense since it's New Yorker Martin identifying it all.

The worst part is when Ronnie is talking about how his dad isn't a particularly big part of his life anymore–not that the father has ever had a significant role in the comic.

Weak art too.

C- 

CREDITS

Publish or Perish or the Academic Life is Killing Me!; writer, Gerry Conway; pencillers, Rafael Kayanan and Mike Chen; inkers, Ian Akin and Brian Garvey; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 38 (August 1985)

The Fury of Firestorm, The Nuclear Man #38

If it weren’t for the lousy inks from Akin and Garvey, this issue would be rather strong. It’s not wholly successful, but it does have Conway trying new things with the series. Martin gets his own adventure, far away from Ronnie; Conway isn’t entirely successful with Martin as lead–there are missteps, like an awkward pop culture reference–but he’s trying.

Conway’s also trying with Ronnie. He sends Ronnie out with his high school girlfriend (never mentioning Firehawk) and it’s nice to see an attempt at a regular scene. Sadly, the art runs a lot of the sequence.

Then there’s Ronnie’s dad and his romance. Again, bad art hurts, but so does Conway’s writing of the dad’s girlfriend. She’s a shallow witch.

Plus there’s a dumb villain called the Weasel menacing Martin. It leads to what should be great action scenes, but are instead atrocious due to the inkers’ ineptness.

B- 

CREDITS

Night of the Weasel; writer, Gerry Conway; penciller, Rafael Kayanan; inkers, Ian Akin and Brian Garvey; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Janice Race; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 37 (July 1985)

The Fury of Firestorm, The Nuclear Man #37

Not a good issue. Joey Cavalieri fills in on writing the main story, which has Ronnie’s nightmares informing his Firestorm adventure. It never gets explained how his nightmares could be so important to a Firestorm adventure, but it involves alien life forms so it shouldn’t be hard.

Cavalieri tries too hard to give the story gravity and weight but there’s a framing sequence informing the reader it’s a flashback. So who cares?

Alex Niño pencils the story, with Duncan Andrews inking, and it’s a vaguely psychedelic experience. Niño and Andrews go crazy with the details but there’s no sense of composition, not to mention a complete lack of natural transitions between panels.

The framing sequence isn’t much better, with Kayanan getting two inkers to replace Alan Kupperberg. Only all new inkers Ian Akin and Brian Garvey bring are flat, awkward faces and strange body parts.

It’d work with better art.

C 

CREDITS

Not In Our Stars But In Ourselves!; writers, Gerry Conway and Joey Cavalieri; pencillers, Rafael Kayanan and Alex Nino; inkers, Ian Akin, Brian Garvey and Nino; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Julius Schwartz; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 36 (June 1985)

The Fury of Firestorm, The Nuclear Man #36

Whatever magic Kupperberg had been working on the inks is over now. All of a sudden, he’s doing a bad job. The faces in particular. The features aren’t in the right places on faces. It’s an ugly comic, which is a shame because it’s got some great settings and should look amazing.

Worse are the talking heads moments, when Kayanan and Kupperberg are doing the civilian side of things. The figures look tacked on to the backgrounds, then the faces look tacked on too.

It’s a peculiar issue. Conway shows how Ronnie can handle the world on his own–the villains have Firestorm knocked out and they escape, leaving him to recover (why wouldn’t they kill him?). When he does come to, Martin isn’t part of the Firestorm matrix, Ronnie’s flying solo.

Sadly, Conway immediately invalidates the personal growth while apparently dismissing other subplots too.

It’s ugly, messy, but okay.

B- 

CREDITS

Slowly I Turned… Niagara Falls!; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Alan Kupperberg; colorist, Nansi Hoolahan; letterer, Helen Vesik; editors, Janice Race and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 35 (May 1985)

The Fury of Firestorm, The Nuclear Man #35

Conway doesn’t just address Ronnie and Martin’s partnership as Martin has to move for work, he also makes time to give Ronnie’s father both a personality (or hints of one) and a girlfriend. There’s also intrigue at Martin’s new job. Lots of subplots this issue, including two villains.

The opening cliffhanger resolution, with Firestorm having to escape the new Killer Frost’s trap even figures into the later talking heads scene between Ronnie and Martin. Conway seems to be taking a new look at his characters, a fresh one without as much baggage.

It’s a strange approach, given he’s over thirty issues into the series, but it does work.

Kayanan and Kupperberg’s art has its moments–like the action scenes or the date scene for Ronnie’s dad–but the talking heads sequence doesn’t work out. With too many faces to ink, Kupperberg gets a little lazy.

It’s a thoroughly solid issue.

B 

CREDITS

Winter Frost; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Alan Kupperberg; colorist, Nansi Hoolahan; letterer, Ben Oda; editors, Janice Race and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 34 (April 1985)

The Fury of Firestorm, The Nuclear Man #34

The Kupperberg inks continue to give Firestorm all the emotion Conway’s scripts have been lacking. Only this issue has some emotion in the script–Ronnie having a talk with ex-girlfriend Doreen (who he jilted for Firehawk)–and the result, even though Conway cops out for a conclusion, is fantastic. Kayanan’s panel composition and Kupperberg’s details make for a great talking heads scene.

There’s a lot of movement with the subplots too, more than with the action plots. At least for this issue, Conway’s doing something of a shift–the action is spectacular but finite, while the character moments get a lot of space, whether it’s Martin, Ronnie or just the supporting cast.

The art also has a lot of fluidity, whether it’s how the characters talk or how Firestorm handles threats in the action sequences. Kayanan seems to be composing for his inker too, which makes the work better.

B+ 

CREDITS

The Big Freeze!; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Alan Kupperberg; colorist, Nansi Hoolahan; letterer, Phil Felix; editors, Janice Race and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 33 (March 1985)

The Fury of Firestorm, The Nuclear Man #33

Kupperberg sticks around this issue to ink Rafael Kayanan and it’s an interesting result. The figures and composition are still Kayanan’s, but–with a couple exceptions–Kupperberg’s really bringing the personality to the faces. While Conway does do a little character development on Ronnie and Martin, the newly expressive faces are what sell the scenes.

Though, they’re very likable scenes–Ronnie falling asleep studying, bonding with his dad, bonding with Martin–it’s like Conway finally realized giving Ronnie endlessly negative scenes wasn’t helping endear the character.

Conway also establishes a new A plot, B plot, C plot structure; hopefully he’ll keep with it. The A plot has Québécois terrorists threatening New York City. The B plot is the return of Killer Frost, then the regular cast gets a couple C plots. The visual disconnect–the playful inks from Kupperberg–gives Firestorm a much-needed boost of energy. It seems to have reinvigorated Conway as well. For now.

B 

CREDITS

“Burn, Manhattan, Burn!”; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Alan Kupperberg; colorist, Nansi Hoolahan; letterer, Phil Felix; editors, Janice Race and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 30 (December 1984)

The Fury of Firestorm, The Nuclear Man #30

It’s another messy issue from Cavalieri. Firestorm gets arrested–I can’t believe they didn’t go with it for the cover–and then gets beat up in jail. He’s recovering from the brainwashing, so there’s not a lot he does in the comic. Instead, the lame villains are back. There’s Mindboggler, who’s doing all the brainwashing–only she’s supposed to be slightly sympathetic because her evil boss (in a hooded robe) energizes her powers through torture.

Then there’s a guy who can transform himself into anyone and then a street gang. Cavalieri takes the time to include the street gang’s leader is also brainwashing him.

These villains do not make an impressive rogues’ gallery. They’re bad.

There’s some subplot movement with the woman planning on suing Firestorm getting a job at Ronnie’s dad’s paper. Contrived doesn’t begin to describe it.

Worse, Tanghal doesn’t ink Kayanan very well. The weaker art significantly outweighs the stronger.

C 

CREDITS

The Depths of Despair; writer, Joey Cavalieri; penciller, Rafael Kayanan; inker, Romeo Tanghal; colorist, Nansi Hoolahan; letterer, John Costanza; editors, Janice Race and Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 29 (November 1984)

The Fury of Firestorm, The Nuclear Man #29

It’s Firestorm versus three really lame villains, one angry businesswoman and one angry high school classmate. I’m not sure what Cavalieri is trying to do–except further the problems with the series. Cavalieri doesn’t even bring Firehawk into the issue, which is odd since I thought they were trying to rescue her missing father the last issue, and she does provide an iota of character development.

Instead, Martin is mad at Ronnie for how he handles being Firestorm and Ronnie is obnoxious in general. He’s obnoxious as Firestorm, he’s obnoxious at school; there are some subplot developments–Martin’s romance and Ronnie’s dad getting fired, not to mention the woman threatening to sue Firestorm for property damage.

The finale has Firestorm fighting hallucinations without knowing he’s hallucinating. There are a few important things Kayanan and Rodriguez fail to make clear and the sequence flops. It’s nonsensical.

There’s some good art, but not enough.

C+ 

CREDITS

The Assassination Bureau; writer, Joey Cavalieri; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editors, Janice Race and Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 28 (October 1984)

The Fury of Firestorm, The Nuclear Man #28

And now it's Joey Cavalieri scripting from a Conway plot. The most visible change in the scripting is the personality Cavalieri gives Firestorm's two sides. Martin is dismissive of how Ronnie does things and Ronnie is irresponsible.

There's a great line with Martin mocking Ronnie and Firestorm's romance with Firehawk.

The issue eventually has some great action art, but the opening has lots of problems. Someone–either Pablo Marcos or Rodriguez–doesn't do well finishing faces for Kayanan. All the civilian scenes are plagued with characters with awkward, too static expressions.

The issue's villain is goofy but just a mercenary and the action plays out rather well.

There are some hints of character development at the beginning for Ronnie and his high school problems but Cavalieri doesn't follow through. He's getting to be unlikable, mostly because he's barely present.

Ditto the turgid conspiracy subplot–it desperately needs its resolution. The sooner the better.

B- 

CREDITS

The End of His Rope; writers, Gerry Conway and Joey Cavalieri; penciller, Rafael Kayanan; inkers, Pablo Marcos and Rodin Rodriguez; colorist, Nansi Hoolahan; letterer, John Costanza; editors, Janice Race and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 27 (September 1984)

The Fury of Firestorm, The Nuclear Man #27

Paul Kupperberg fills in writing the last arc of the Black Bison and Silver Deer arc–which I affectionately call “the attack of the Native American super-terrorists.” Silver Deer proves so evil she even horrifies the Soviets with her behavior.

There’s an awkward sequence with the superheroes in their civilian identities going to a political reception. Kupperberg skips the scene where Lorraine explains how she’s met Firestorm’s two halves. The senator father inexplicably goes along with it.

But the Kayanan and Rodriguez art is often great and always above average. Even with the odd action finale–flying characters in closed spaces never plays well on the page; it all works out reasonably well.

Until the last page, when Kupperberg rips off the end of Superman III–Firestorm returning the Statue of Liberty to its proper form. The rip-off is vaguely okay but then Firestorm goofily salutes the statue.

B- 

CREDITS

Spell Dance; writers, Carla Conway, Gerry Conway and Paul Kupperberg; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 26 (August 1984)

The Fury of Firestorm, The Nuclear Man #26

Not much happens this issue past cliffhanger resolution, the villains teaming up with the Soviets and Lorraine and her father doing their every issue recap of his career problems. In some ways, it’s impressive how little gets done but how well the Conways and Kayanan do the issue.

There’s a chase sequence where Firestorm has to fight the Statue of Liberty. It should be cooler than it turns out and then the repercussions of Firestorm destroying it should probably be dealt with too.

The political stuff with the Soviets is goofy and doesn’t get handled well. The Conways’ villains this issue are Native American activists–admittedly, they’re super-powered terrorists–but it’s still a little odd to see them portrayed with so little sympathy.

As for character development, there’s zip. It’s a bridging issue and not an interesting one. It’s a good looking one, thanks to Kayanan and Rodriguez, sometimes really good looking.

B- 

CREDITS

Give Me Liberty–Give Me Death; writers, Carla Conway and Gerry Conway; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Nansi Hoolahan; letterer, Adam Kubert; editors, Janice Race and Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 25 (July 1984)

The Fury of Firestorm, The Nuclear Man #25

Twenty-five issues into the series and Conway still hasn’t figured out a balance between the superhero stuff and the regular people stuff.

Ronnie and Martin get no more time this issue developing their civilian characters than the supporting cast cops get. One of the Conways–presumably Gerry because Carla is just credited with plotting–is so out of it he or she forgets Ronnie’s best friend at high school’s name. The high school scene reveals a glaring problem–the book’s a lot better when it doesn’t have any high school in it. Lorraine (and Firehawk) works better as a supporting cast member than the high schoolers. At least the way Conway’s been treating them.

The issue’s pretty good, though Romeo Tanghal’s inks take the perspective out of Kayanan’s pencils. They’re reductive, which gives it a distinct look; the result’s not entirely unsuccessful but it’s too static for action.

It’s simultaneously distracted and competent.

B 

CREDITS

Black Bison Rides Again!; writers, Carla Conway and Gerry Conway; penciller, Rafael Kayanan; inker, Romeo Tanghal; colorist, Carl Gafford; letterer, Adam Kubert; editors, Janice Race and Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 23 (May 1984)

The Fury of Firestorm, The Nuclear Man #23

Conway edits himself on Firestorm, which might by why no one told him having the female businessperson use “she” instead of “one” (referring to a hypothetical lawyer) sounds both sexist and dumb. Evil feminists out to get Firestorm, what can our hero do to stop them!

Otherwise, the issue’s somewhat indistinct. Conway has another conspiracy going against Firehawk. It’s too bad because he actually writes her well and giving her repeat story lines doesn’t help.

Ronnie has high school trouble again–with he and his girlfriend apparently back together (I thought she got mad at him big time a few issues ago) and his problems with the class jerk going again. It doesn’t feel particularly original, but the scenes are amusing enough.

There’s a big finish at a computer convention with Firestorm fighting an electricity monster. Conway’s pacing is too rushed but the Kayanan pencils help it move right along.

B 

CREDITS

Byte; writers, Carla Conway and Gerry Conway; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Carl Gafford; letterer, Adam Kubert; editor, Gerry Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 21 (March 1984)

The Fury of Firestorm, The Nuclear Man #21

There’s some more Killer Frost misandry goofiness. But not enough to impair the issue–what’s strangest about Killer Frost as the issue opens is how Conway sets her against another female scientist. He writes the human one fine; it’s just Killer Frost who he can’t seem to write with any sincere, empathetic depth. It’s odd.

Once Killer Frost escapes and goes on a rampage, the issue gets great. Kayanan’s disaster scenes are fantastic and the big fight between Firestorm and Killer Frost is even better; it survives Conway’s odd narration, where he overuses the word “fury,” presumably for branding purposes.

Throw in some real character development for Firestorm–who has a scene with the cops who don’t know what to do with his help–as he (and Martin) come to terms with how unprepared they are for Killer Frost. And her arc is good too, just poorly characterized at the start.

It’s excellent.

B+ 

CREDITS

Cold Snap!; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Carl Gafford; letterer, John Costanza; editors, Nicola Cuti and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man 20 (February 1984)

The Fury of Firestorm, The Nuclear Man #20

Conway gets through most of the issue before the problem becomes clear–he doesn’t have much of a story. He hints at future stories, with Ronnie having girlfriend troubles, Lorraine Reilly (Firehawk has joined the series as a regular) having family issues, Martin’s ex-wife stalking him again and so on and so forth, but there’s nothing going on here.

Oh, wait, Killer Frost escapes from prison. It’s a lengthy escape sequence and relatively well-done, but it’s just a prison break. Maybe if the character weren’t so shallow–and the way Conway writes her monologues about being rejected by men so painful–it’d go over better.

Conway’s definitely trying with his regular cast and now even developing Firestorm separate from Ronnie and Martin, and there’s Kayanan’s pencils. Firestorm has never looked better. Kayanan handles everything–locations, civilians, superheroes–beautifully. Kayanan is even able to make Killer Frost a welcome guest star, he illustrates her so well.

B 

CREDITS

Frost Bite!; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Rodin Rodriguez; colorist, Carl Gafford; letterer, Adam Kubert; editors, Nicola Cuti and Conway; publisher, DC Comics.

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The Fury of Firestorm, The Nuclear Man Annual 1 (November 1983)

The Fury of Firestorm, The Nuclear Man Annual #1

Strengths and weaknesses. This first Firestorm annual has a bunch of each. Oddly, Conway seems a lot more comfortable plotting out a double-size issue–maybe if all the issues had this much room, the series wouldn't be on such shaky ground. There's time for character development, not just for Ronnie and Martin, but also for Firestorm–the return of Firehawk at a key moment this issue is one of the highlights–but also for quiet moments. Conway finally has enough space.

As for the weaknesses… well, Tokamak is still a terrible villain. But the billionaire going crazy storyline does let Conway finally develop Multiplex as a character. And the fight sequence set in Washington, D.C. at the landmarks is pretty cool.

Rafael Kayanan joins the comic this issue and he does some excellent art. There's also some weak art–the epilogue with Ronnie and his dad looks atrocious, for instance.

Still, it's mostly awesome.

B+ 

CREDITS

All the Answers…; writer, Gerry Conway; pencillers, Rafael Kayanan and Rodin Rodriguez; inker, Rodriguez; colorist, Carl Gafford; letterer, Adam Kubert; editors, Nicola Cuti and Conway; publisher, DC Comics.

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