Like Alan Moore, Spurrier respects the value of a single issue. There’s a substantial amount of plot development in this one, with reading time expanded by the process of deciphering future-speak, at which Spurrier is gradually getting better and more clever. Fernando Heinz’s art still occasionally does the characters a disservice with distractingly cartoonish facial expressions during tough, emotional scenes, but his panel compositions are rock solid, as are his crowd scenes and backgrounds. There’s a flashy two-page splash reveal near the beginning, which is really nice to pause on and explore. Spurrier is also working in conjunction with Heinz in more creative ways; using flashbacks, panel breaks within static angles, internal thought balloon counterpoints and other cool tricks.
What Spurrier and Moore achieve with Crossed+One Hundred number 9 is that like the previous issue’s unsettling new angle on the strategies of the Salt-Crossed, this one raises unpleasant questions about the limitations of religious leadership in the post-apocalypse. Moore’s introduction of the ‘Slims as the last surviving faith after The Surprise in his original arc was one of the more brilliant details, and now this second arc is addressing the implications. The casual homosexuality and female leadership have already been touched upon as plusses for a formerly repressive religion made pluralistic by necessity, but now Future is hitting the glass ceiling when she needs Murfreesboro’s help the most: her hair’s in a scarf, not a full hijab. They’re only going to listen to and respect someone so much who isn’t a member of the faith, ditto Cautious. There’s an arrogant trust in God’s benevolence that everything will work out, keeping them from heeding their warnings. Meanwhile, that other faith-based organization of the post-Surprise world – who have no qualms about reproducing images of their prophet – are employing Dark Ages tactics of proselytization, Taqiyya and Jizya with expert efficacy.
The thought-provoking satirical details of this theocratic in-fighting are unfortunately at a slight cost to the logic of the story: Future finally has evidence, VIDEO evidence of the Salt-Crossed working their unholy plans, and she still can’t rally everyone together yet? It was already a stretch to accept that Murfreesboro wouldn’t listen to her about what REALLY happened to Chooga, and write it off as some freak incident of unpreparedness against a breakout from within, or attack from outside, by run-of-the-mill churchface illbillies. Chooga wasn’t just some two-bit settle, you’d think they’d afford Future and Cautious some credit as the only surviving witnesses. But they’re women – and infidel women at that – so perhaps that’s the point.
It’s totally forgivable for the overall quality of the package, including a disturbing new revelation about the Salt-Crossed’s social castes, which leads into a great cliffhanger.
Crossed + 100 continues to impress.
Writer, Simon Spurrier; Series Outline, Alan Moore; artist, Fernando Heinz; colorist, Digikore Studios; letterer, Jaymes Reed; publisher, Avatar Press.
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